Welcome to our book review site go-pdf.online!
You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
The Book of Broadway Musical Debates, Disputes, and Disagreements
The Book of Broadway Musical Debates, Disputes and Disagreements is purposely meant to start arguments and to settle them. Broadway musical fans won’t always agree with the conclusions musical theater judge Peter Filichia reaches, but the best part of any drama is the conflict. Among lovers of musical theater, opinions are never in short supply, and Filichia addresses the most dividing questions and opinions in one book. What will you say when he asks, “What is the greatest opening number of a Broadway musical?” Will your answer be “The Circle of Life” from The Lion King, “Heaven on Their Minds” from Jesus Christ Superstar, or “Beautiful Girls” from Follies? Will you agree with his answer to “Whose Broadway performance in a musical was later best captured on film?” Did you immediately think of Robert Preston in The Music Man or Barbra Streisand in Funny Girl? More questions that will add to the fire include “What song from a musical is the most beloved?” and “What’s the worst song that a Broadway musical ever inflicted on us?” They’re all in The Book of Broadway Musical Debates, Disputes and Disagreements. Let the arguments begin!
The Great Parade
It was the Broadway season when Barbra Streisand demanded "Don't Rain on My Parade" and Carol Channing heard the waiters at the Harmonia Gardens say "Hello, Dolly!". From June 1, 1963 through the final day of May 31, 1964, theatergoers were offered 68 different productions: 24 new plays, 15 new comedies, 14 new musicals, 5 revivals of plays, 3 revues, 3 plays in Yiddish, 2 in French, 1 double-bill and even 1 puppet show. Peter Filichia's The Great Parade will look at what a Broadway season looked like a half-century ago analyzing the hits, the flops, the trends, the surprises, the disappointments, the stars and even how the assassination of JFK and the arrival of the Beatles affected Broadwa...
Strippers, Showgirls, and Sharks
"Wait..Gypsy didn't win the Tony for Best Musical?" That's a question that gets asked over and over again, every time a new Rose takes to the runway in the Broadway classic "Gypsy". In "Strippers, Showgirls and Sharks", the popular syndicated theatre critic Peter Filichia chronicles the history of the American musical by looking at those shows that did not win the Tony Award for Best Musical. It happens every spring: The American Theatre Wing bestows its annual awards. Only those shows that have reached Broadway are nominated and while all Tony Awards are created equal in height, width and depth, the universally acknowledged biggest prize is the Best Musical Tony. The envelope is opened. The...
Brainteasers for Broadway Geniuses
Filichia presents brainteasers that require more than an ordinary knowledge of Broadway facts that will send even the most seasoned theater lovers looking for answers. With shows from each decade, Broadway lovers who are around the age of Old Deuteronomy in Cats or as young as dear Evan Hansen will find questions that require more than an ordinary knowledge of beloved musicals. Are you a Broadway genius?
The Complete Book of 2010s Broadway Musicals
This volume contains detailed information about every musical that opened on Broadway from 2010 through the end of 2019. This book discusses the decade’s major successes, notorious failures, and musicals that closed during their pre-Broadway tryouts. In addition to including every hit and flop that debuted during the decade, this book highlights revivals and personal-appearance revues.
To Broadway, To Life!
To Broadway, To Life! The Musical Theater of Bock and Harnick is the first complete book about these creative figures, one of Broadway's most important songwriting teams. The book draws from personal interviews with Bock and Harnick themselves to offer an in-depth exploration their shows, including Fiddler on the Roof, She Loves Me, and Fiorello!, and their greater place in musical theater history.
Brainteasers for Broadway Geniuses
Filichia presents brainteasers that require more than an ordinary knowledge of Broadway facts that will send even the most seasoned theater lovers looking for answers.
Broadway Musical MVPs: 1960-2010
(Applause Books). Every year, Major League Baseball, the National Football League, the National Basketball Association, and the National Hockey League name a Most Valuable Player an MVP. The Broadway musical community doesn't. Oh, there are the Tony Awards, the Drama Desk Awards, and the Theatre World Awards. But what if Broadway selected a MVP each season? In Broadway Musical MVPs: 1960-2010, The Most Valuable Players of the Past 50 Seasons , Peter Filichia names his choices for the MVPs of each of the past 50 Broadway seasons they might be performers, producers, directors, or choreographers. Not surprisingly, many of the featured MVPs are multitaskers, such as directors who also choreographed, or wrote the book, or even designed the costumes! Also included are awards in categories such as Comeback Player of the Year, Reliever of the Year, Rookie of the Year, and Led League in Errors. From Tammy Grimes, MVP of the 1960-61 season for The Unsinkable Molly Brown , to Joe DiPietro, MVP of the 2009-10 season for Memphis , Filichia recognizes the best and the brightest that have appeared on Broadway.
Broadway Musicals
When Evita opened on Broadway during the 1979-1980 season, it was (as one of its songs said) "High Flying Adored." But in the 1970-71 season, the producers of Lolita, My Love saw their show (as one of its songs said) "Going, Gone, Gone" after its torturous Philadelphia and Boston tryouts. It didn't even try to brave Broadway, although the bookwriter-lyricist of My Fair Lady had written it. It happens every season. Broadway has one, two, or a few hit musicals, but many, many more flops. Here's a look at the extreme cases from each season of the past half-century. The musicals that everyone knew would be hits - The Sound of Music, The Phantom of the Opera, The Producers - and were. The tuners ...
Show and Tell
"A spirited spin through some of the most intriguing factoids in show business, offering up an unconventional history of the theatre in all its idosyncratic glory. From the cantakerous retorts of George Abbott to the literally show-stopping antics of Katherine Hepburn, you'll learn about the adventures and star turns of some of Broadway's biggest personalities, and discover little-known tidbits about beloved plays and musicals."--
