You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
A FINANCIAL TIMES, I PAPER AND STYLIST BOOK OF THE YEAR 'In his absorbing book about the lost and the gone, Peter Ross takes us from Flanders Fields to Milltown to Kensal Green, to melancholy islands and surprisingly lively ossuaries . . . a considered and moving book on the timely subject of how the dead are remembered, and how they go on working below the surface of our lives.' - Hilary Mantel 'Ross is a wonderfully evocative writer, deftly capturing a sense of place and history, while bringing a deep humanity to his subject. He has written a delightful book.' - The Guardian 'The pages burst with life and anecdote while also examining our relationship with remembrance.' - Financial Times (...
Preliminary Material /Angelus A. de Marco -- Part One: Peter's Roman Sojourn and Position /Angelus A. de Marco -- Part Two: San Sebastiano on the Via Appia and the Tomb of the Apostles /Angelus A. de Marco -- Part Three: The Vatican Excavations /Angelus A. de Marco -- Index of Authors /Angelus A. de Marco.
In 1953, during the times of exile destinated to construct the church of Dominus Flevit in the Olive Mount the Franciscans in Holy Land found an old cementary. Between the remains, they found a sarcophagus that was very important for the Christians, it grabbed their attention (real facts). The founding and content was communicated to Pio XII who quickly ordered to destruct part of the remains, however three frairs decided not to obey him and keep the discovery. Sixty years have passed and the three frairs die in different circumstances, the secret that jealousy they had kept. Since this instant, several interested people would try no know what was in that discovery found in the Olives Mount, with the objective of controling a weak Vatican, that had compromised relashionships from the high Curia and the Cosa Nostra. The novel that tried to reveal the motives that took Ratzinger to make the decision of abandoning the post of Saint Peter, this book develops in the times of Benedict XVI and the election of Pope Francis. But the novel starts to develop in the city of Granada, little by little it moves to the Vatican and the Island of Sicily.
Looks at graveyards and burial practices and the ways that they can help us understand how people have understood and dealt with death.
In The Lost Apostle award-winning journalist Rena Pederson investigates a little known subject in early Christian history—the life and times of the female apostle Junia. Junia was an early convert and leading missionary whose story was “lost” when her name was masculinized to Junias in later centuries. The Lost Apostle unfolds like a well-written detective story, presenting Pederson’s lively search for insight and information about a woman some say was the first female apostle.
This volume is based on a lecture series that was held during the academic year 2021–2022 at the University of Bonn. Its contributors explore the role of religion in overcoming and creating structures of dependency from different disciplines and academic backgrounds. The question of the role of religion in justifying, perpetuating, modifying, and abolishing slavery and other forms of strong asymmetrical dependency is still a much-debated topic within historical and social sciences. The equality of all human beings before God, gods, or the divine is deeply rooted in religious thought. Conversion to one or another religion has, therefore, often led to critique, transformation, and even aboli...
Conrad Lorenz, Inquisitor. A Soul eternally damned. There was a time when Conrad knew that he was doing God's Work - until a horrifying miscarriage of justice opened his eyes. This volume contains five more stories of Conrad's eternal search for redemption and forgiveness. They range from New York in the Roaring Twenties through the horror of the Second World War and its aftermath to the night-life of Bangkok in the 1990s. During their course Conrad learns that even simple justice is sometimes out of reach but also that redemption may be closer than he thinks. For those wrongly accused and in desperate need, there is one last hope for justice. That Conrad will cast his eye upon their case.
The traditions associated with a pope's death have changed from when they were buried in the catacombs of Rome. Various ceremonies, rites and rituals developed over time, but a formal procedure was not initiated until the early 1300s and even then was not always strictly followed. This comprehensive reference book provides information on the deaths, funerals and burial places of each pope and antipope from St. Peter (Apostle) to John Paul I. (Innocent X was almost gnawed by rats because no one would bury him; Alexander VI was stuffed into a carpet and pummeled into his coffin; and the corpse of Formosus was physically put on trial...) The Introduction presents a brief history of papal funerals and tombs, and also covers modern burials. A unique feature of the book is its presentation of all papal epitaphs, in their original language and in English--many translated for the first time.
Every story in catacomb art is a tale of deliverance, a tale of the powerlessness of death and the certainty of the resurrection. Looking back through fifteen hundred years of Christian art, it appears the crucifixion of Jesus holds the highest place. We haven’t looked back far enough. Go back to the first three centuries after Jesus walked among us. Walk the dark corridors of those subterranean burial chambers of the persecuted Christians. There we find a much different theology at work: a theology with resurrection hope and power at the center. If catacomb art were all we had of Christian theology and practice from the first three centuries AD—no Scriptures—we would have no choice but to conclude that the first message of the Christian faith was the Easter gospel.