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Imagination is celebrated as our vehicle for escape from the mundane here and now. It transports us to distant lands of magic and make-believe. It provides us with diversions during boring meetings or long bus rides. It enables creation of new things that the world has never seen. Yet the focus on imagination as a means of escape from the real world minimizes the fact that imagination seems also to furnish us with knowledge about it. Imagination seems an essential component in our endeavor to learn about the world in which we live--whether we're planning for the future, aiming to understand other people, or figuring out whether two puzzle pieces fit together. But how can the same mental powe...
There is a long-standing tradition in philosophy that defines imagination as engaging with things that are not real or present; as a kind of fantasy. Immanuel Kant offered an original theory of imagination as something that shapes our encounters with what is real, present, and pervades our lives. This book brings this theory of imagining to light.
Peter Silverlos Livingston was born before World War II and would be considered a traditionalist in today’s jargon. There is an old saying, “You can take the kid out of Brooklyn but you can’t take Brooklyn out of the kid”. As a young kid growing up in Brooklyn, New York, Peter had the opportunity of being involved in many activities as a young boy. Brooklyn was the most populated of the five boroughs of New York City with over 3 million people of mostly European extraction including many other ethnic races from all over the world during World War II. New York City was and still is the biggest city in the country. There were more combat troops from Brooklyn than any other area in the ...
What is sensory imagining and what role does it play in our lives? How does visualizing a castle, running through a tune in one's head, or imagining the taste of fish ice cream relate to perceiving such things, or to remembering them? What are the connections between imagining and agency, and how does it relate to emotion and other affect? The Profile of Imagining offers a theory that answers these and many other questions. It argues that sensory imagining involves the redeployment of resources central to perception, though in a radically different context and to very different effect. The result is a view that explains central features of imagining's phenomenology and functional role, including its capacity to capture what it would be like to perceive its objects, while acknowledging the many and striking differences between imagining and sensing. Hopkins shows how the view can be extended to imagining in other forms, especially the imagining of affect; and uses it to argue for some surprising conclusions: that imagining something is not a way to engage with its aesthetic character; and that imagining provokes real feeling much less often than is usually assumed.
Gregory Currie defends the view that works of fiction guide the imagination, and then considers whether fiction can also guide our beliefs. He makes a case for modesty about learning from fiction, as it is easy to be too optimistic about the psychological insights of authors, and empathy is hard to acquire while not always morally advantageous.
A cutting-edge and groundbreaking set of new essays by top philosophers on key topics related to the ever-influential knowledge argument.
Perhaps one of the least appreciated aspects of Rowan Williams is his theology of imagination. Seeking to fill this gap, this book explores the imaginative impulse operative in Rowan Williams’ theology and poetry, which centres around the notion of ‘divine desire’, and the way in which imagination can reveal possibility even in the bleakest of circumstances. Drawing on his poetic work as well as his theological writing, the book explores how Williams’ theology leads us to a fresh understanding of the ways in which the renewing and enabling energy of the Holy Spirit is ever active, within and beyond the Church, in enabling human imaginations to cooperate with the divine energy of love in bringing creation to fulfilment.
In Taking Morality Seriously: A Defense of Robust Realism David Enoch develops, argues for, and defends a strongly realist and objectivist view of ethics and normativity more broadly. This view--according to which there are perfectly objective, universal, moral and other normative truths that are not in any way reducible to other, natural truths--is familiar, but this book is the first in-detail development of the positive motivations for the view into reasonably precise arguments. And when the book turns defensive--defending Robust Realism against traditional objections--it mobilizes the original positive arguments for the view to help with fending off the objections. The main underlying motivation for Robust Realism developed in the book is that no other metaethical view can vindicate our taking morality seriously. The positive arguments developed here--the argument from the deliberative indispensability of normative truths, and the argument from the moral implications of metaethical objectivity (or its absence)--are thus arguments for Robust Realism that are sensitive to the underlying, pre-theoretical motivations for the view.
This book investigates the nature and relevance of conjunctive explanations in the context of science and religion. It explores questions concerning how scientific and religious explanations for features of the world or phenomena within it relate to each other and whether they might work together in mutually enriching ways. The chapters address topics including the relationship between Darwinian and teleological explanations, non-reductive explanations of mind and consciousness, and explanations of Christian faith and religious experience, while others explore theological and philosophical issues concerning the nature and feasibility of conjunctive explanations. Overall, the contributions help to provide conceptual clarity on how scientific and religious explanations might or might not work together conjunctively as well as exploring how these ideas relate to specific topics in science and religion more generally.
Imagination occupies a central place in philosophy, going back to Aristotle. However, following a period of relative neglect there has been an explosion of interest in imagination in the past two decades as philosophers examine the role of imagination in debates about the mind and cognition, aesthetics and ethics, as well as epistemology, science and mathematics. This outstanding Handbook contains over thirty specially commissioned chapters by leading philosophers organised into six clear sections examining the most important aspects of the philosophy of imagination, including: Imagination in historical context: Aristotle, Descartes, Hume, Kant, Husserl, and Sartre What is imagination? The r...