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Music and the Reformation in England 1549-1660
Presents issues that affected the course of music within the church of England during the reformation.
Music and Aesthetics in the Eighteenth and Early Nineteenth Centuries
This is an abridged, paperback edition of Peter le Huray and James Day's invaluable anthology of writings concerned with the role of music in eighteenth- and early-nineteenth-century aesthetics. This volume retains all the most important and significant items from the original hardcover edition. Over fifty writers are represented here, including such major figures as Rousseau, Kant, Schlegel, Schopenhauer and Hegel, and the useful introductions and biographical details of the original are also retained. The aesthetic literature of the period is profuse but this carefully edited volume offers a balanced selection which illuminates the ways people experienced music and how they came to an understanding in particular of the new music of their day.
Authenticity in Performance: Eighteenth-Century Case Studies
Authenticity in Performance focuses on nine representative works from the Baroque and Classical periods, defining some of the more important questions that the performer and listener should ask.
Parliamentary Papers
None
English Choral Practice, 1400-1650
These nine essays consider for the first time the day-to-day performing practice of English composers of choral music of the period 1440-1650.
