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Art Since 1980
Art Since 1980 holds up a mirror to our society while charting the story of art in contemporary global culture. With over 300 pictures of painting, photography, sculpture, installation, performance and video art, we are led on a fascinating journey via the individuals and communities who have shaped world art. The political and cultural transformations of the early 1980s developed a new era of compatibility between communist states and western-style economics. The art world then expanded to include Russia and China, feminism and racial equality came to the fore, and the World Wide Web was born, changing forever the availability and distribution of visual material. Today we see record-breaking sales of contemporary art and a dramatic rise in the number of students taking courses in the visual and performing arts. Kalb approaches art from various angles, such as artistic production, display, critical reception and its relationship to society. Alongside his analysis of specific works of art, he also builds a framework for students to acquire the more general skills of research, and abstract and theoretical thinking.
Assignment Russia
A personal journey through some of the darkest moments of the cold war and the early days of television news Marvin Kalb, the award-winning journalist who has written extensively about the world he reported on during his long career, now turns his eye on the young man who became that journalist. Chosen by legendary broadcaster Edward R. Murrow to become one of what came to be known as the Murrow Boys, Kalb in this newest volume of his memoirs takes readers back to his first days as a journalist, and what also were the first days of broadcast news. Kalb captures the excitement of being present at the creation of a whole new way of bringing news immediately to the public. And what news. Cold W...
Haunting Legacy
The United States had never lost a war—that is, until 1975, when it was forced to flee Saigon in humiliation after losing to what Lyndon Johnson called a "raggedy-ass little fourth-rate country." The legacy of this first defeat has haunted every president since, especially on the decision of whether to put "boots on the ground" and commit troops to war. In Haunting Legacy, the father-daughter journalist team of Marvin Kalb and Deborah Kalb presents a compelling, accessible, and hugely important history of presidential decisionmaking on one crucial issue: in light of the Vietnam debacle, under what circumstances should the United States go to war? The sobering lesson of Vietnam is that the ...
The Year I Was Peter the Great
" A chronicle of the year that changed Soviet Russia—and molded the future path of one of America's pre-eminent diplomatic correspondents 1956 was an extraordinary year in modern Russian history. It was called “the year of the thaw”—a time when Stalin’s dark legacy of dictatorship died in February only to be reborn later that December. This historic arc from rising hope to crushing despair opened with a speech by Nikita Khrushchev, then the unpredictable leader of the Soviet Union. He astounded everyone by denouncing the one figure who, up to that time, had been hailed as a “genius,” a wizard of communism—Josef Stalin himself. Now, suddenly, this once unassailable god was bei...
God in the Gallery (Cultural Exegesis)
Is contemporary art a friend or foe of Christianity? Art historian, critic, and curator Daniel Siedell, addresses this question and presents a framework for interpreting art from a Christian worldview in God in the Gallery: A Christian Embrace of Modern Art. As such, it is an excellent companion to Francis Schaeffer's classic Art and the Bible. Divided into three parts--"Theology," "History," and "Practice"--God in the Gallery demonstrates that art is in conversation with and not opposed to the Christian faith. In addition, this book is beautifully enhanced with images from such artists as Andy Warhol, Jackson Pollock, Enrique Martínez Celaya, and others. Readers of this book will include professors, students, artists, and anyone interested in Christianity and culture.
New Makers of Modern Culture
New Makers of Modern Culture is the successor to the classic reference works Makers of Modern Culture and Makers of Nineteenth-Century Culture, published by Routledge in the early 1980s. The set was extremely successful and continues to be used to this day, due to the high quality of the writing, the distinguished contributors, and the cultural sensitivity shown in the selection of those individuals included. New Makers of Modern Culture takes into full account the rise and fall of reputation and influence over the last twenty-five years and the epochal changes that have occurred: the demise of Marxism and the collapse of the Soviet Union; the rise and fall of postmodernism; the eruption of ...
Den of Thieves
A #1 bestseller from coast to coast, Den of Thieves tells the full story of the insider-trading scandal that nearly destroyed Wall Street, the men who pulled it off, and the chase that finally brought them to justice. Pulitzer Prize–winner James B. Stewart shows for the first time how four of the eighties’ biggest names on Wall Street—Michael Milken, Ivan Boesky, Martin Siegel, and Dennis Levine—created the greatest insider-trading ring in financial history and almost walked away with billions, until a team of downtrodden detectives triumphed over some of America’s most expensive lawyers to bring this powerful quartet to justice. Based on secret grand jury transcripts, interviews, and actual trading records, and containing explosive new revelations about Michael Milken and Ivan Boesky, Den of Thieves weaves all the facts into an unforgettable narrative—a portrait of human nature, big business, and crime of unparalleled proportions.
New Makers of Modern Culture
New Makers of Modern Culture will be widely acquired by both higher education and public libraries. Bibliographies are attached to entries and there is thorough cross- referencing.
Enemy of the People
Shortly after assuming office in January 2017, President Donald Trump accused the press of being an “enemy of the American people.” Attacks on the media had been a hallmark of Trump’s presidential campaign, but this charge marked a dramatic turning point: language like this ventured into dangerous territory. Twentieth-century dictators—notably, Stalin, Hitler, and Mao—had all denounced their critics, especially the press, as “enemies of the people.” Their goal was to delegitimize the work of the press as “fake news” and create confusion in the public mind about what’s real and what isn’t; what can be trusted and what can’t be. That, it seems, is also Trump’s goal. I...
