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Peterborough, Ontario, Canada, City Hallowed in Centennial Fame, Remember You and Your Famous Name
Madame Daphne Jane Rogers Molson is a Canadian, membered, International Who's Who Golden Poet, awarded laureate graduate, of American multibillionaire, Howard Ely, Editor and Owner of Waternark Press. Since 1997, Howard's International Library of Poetry anthologies, America In The Millennium, The Colors of Life, The Best Poems and Poets, The International Who's Who In Poetry, Poetry.com, The Sound of Poetry tapes, discs, electronic collections, and the International Society of Poets Conventions and Symposiums have acclaimed Daphne's evocative, meaningful, wittingly woven humour, satire, war and peace pathos, peace and prayer asking, prose, and human loving, inspiring poems. Xlibris published...
Tsema Igharas
"This publication is produced in conjunction with the solo exhibition future generations which took place in 2018 at Artspace in Peterborough, Ontario. future generations is an exhibition that considers futurity as a tool of survival and survivance. This publication features writing by Jaimie Issac with a foreword by Erin Sutherland, and black and white photographs of Tsema Igharas' work." -- from https://artmetropole.com/shop/15175 (viewed 28 September 2023).
Art Et Architecture Au Canada
Identifies and summarizes thousands of books, article, exhibition catalogues, government publications, and theses published in many countries and in several languages from the early nineteenth century to 1981.
I Can Hear You, Can You Hear Me?
Poetry. LGBTQIA Studies. Intimate, nostalgic, and surprising, the poems in I CAN HEAR YOU, CAN YOU HEAR ME? spark connections that alter trajectory and carry lasting resonance. Encounters across phone lines, over drinks, through walkie-talkies, and unspoken recognitions between queer bodies fill this collection with explorations of what it means to be seen. The micro-narratives in I CAN HEAR YOU, CAN YOU HEAR ME? both celebrate and grieve the connections they illuminate. Nolan Natasha's poetry is plainspoken but lyrical, sweet but frank, nostalgic but unromanticized, combining the atmosphere of Eileen Myles with the musical insight of Helen Humphreys. These poems bring an unflinching examina...
Madame Daphne Jane Rogers Molson
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Creative Economies in Post-Industrial Cities
There has been much written on the new creative economy, but most work focuses on the so-called 'creative class,' with lifestyle preferences that favor trendy new restaurants, mountain biking, and late night clubbing. This 'creative class,' flagship cultural destinations, and other forms of commodity-driven cultural production, now occupy a relatively uncritical place in the revitalization schemes of most cities up and down the urban hierarchy. In contrast, this book focuses on small- to medium-size post-industrial cities in the US, Canada, and Europe that are trying to redress the effects of deindustrialization and economic decline through cultural economic regeneration. It examines how cul...
Pro Forma
In this three-volume series, editor Jessica Wyman assembles essays that consider the developments and directions of the use of text in visual art, exploring what personal, social or political motivations inspire artists to use text and how text-based art is understood. Volume 1 examines the use of text in concept-based art.
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