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ONE OF THE GUARDIAN'S 2020 FICTION HIGHLIGHTS: Petina Gappah's epic journey through nineteenth-century Africa is 'engrossing, beautiful and deeply imaginative.' (Yaa Gyasi)This is the story of the body of Bwana Daudi, the Doctor, the explorer David Livingstone - and the sixty-nine men and women who carried his remains for 1,500 miles so that he could be borne across the sea and buried in his own country.The wise men of his age say Livingstone blazed into the darkness of their native land leaving a track of light behind where white men who followed him could tread in perfect safety. But in Petina Gappah's radical novel, it is those in the shadows of history - those who saved a white man's bon...
The story that you have asked me to tell you does not begin with the pitiful ugliness of Lloyd’s death. It begins on a long-ago day in August when the sun seared my blistered face and I was nine years old and my father and mother sold me to a strange man. Memory, the narrator of Petina Gappah’s The Book of Memory, is an albino woman languishing in Chikurubi Maximum Security Prison in Harare, Zimbabwe, after being sentenced for murder. As part of her appeal, her lawyer insists that she write down what happened as she remembers it. The death penalty is a mandatory sentence for murder, and Memory is, both literally and metaphorically, writing for her life. As her story unfolds, Memory reveals that she has been tried and convicted for the murder of Lloyd Hendricks, her adopted father. But who was Lloyd Hendricks? Why does Memory feel no remorse for his death? And did everything happen exactly as she remembers? Moving between the townships of the poor and the suburbs of the rich, and between past and present, the 2009 Guardian First Book Award–winning writer Petina Gappah weaves a compelling tale of love, obsession, the relentlessness of fate, and the treachery of memory.
A woman in a township in Zimbabwe is surrounded by throngs of dusty children but longs for a baby of her own; an old man finds that his job making coffins at No Matter Funeral Parlour brings unexpected riches; a politician's widow quietly stands by at her husband's funeral watching his colleagues bury an empty coffin. Petina Gappah's characters may have ordinary hopes and dreams, but they are living in a world where a loaf of bread costs half a million dollars; a country expected to have only four presidents in a hundred years; and a place where people know exactly what will be printed in the one and only daily newspaper because the news is always, always good. In her spirited debut collection, Zimbabwean author Petina Gappah brings us the resilience and inventiveness of the people who struggle to live under Robert Mugabe's regime. Despite their circumstances, the characters in An Elegy for Easterly are more than victims; they are all too human, with as much capacity to inflict pain as they have to endure it. They struggle with larger issues common to all people everywhere: failed promises, unfulfilled dreams and the yearning for something to anchor them to life.
In her accomplished new story collection, Petina Gappah crosses the barriers of class, race, gender and sexual politics in Zimbabwe to explore the causes and effects of crime, and to meditate on the nature of justice. Rotten Row represents a leap in artistry and achievement from the award-winning author of An Elegy for Easterly and The Book of Memory. With compassion and humour, Petina Gappah paints portraits of lives aching for meaning to produce a moving and universal tableau.
In this dark and deeply radical novel, Dambudzo Marechera offers a visceral account of a photojournalist's entanglement with a terrorist organisation. In an unnamed totalitarian state, the members of Black Sunlight – a group of violent anarchists – are the only ones fighting for change and justice. As their actions push the country further towards chaos, journalist Christian records it all through the lens of his camera. Christian's life so far has been one of immense struggle and alienation. So when he becomes tangled in the Black Sunlight uprising, he is determined to remain a bystander and nothing more; to capture their actions without praise or condemnation. In evocative flashes of sex, violence, war, and myth, Christian's story explodes in a labyrinthine plot, told through a chaotic stream-of-consciousness that mirrors the nation's crumbling climate. Black Sunlight is a piercing insight into the darkness of the human psyche and a raw examination of a nation in battle against itself – where everything political turns deeply personal. 'Complex, challenging – and uniquely potent.' Guardian 'A writer in constant quest for his real self.' Wole Soyinka.
This book is made up of twenty-three stories, each from a different author from across the globe. All belong to one world, united in their diversity and ethnicity. And together they have one aim: to involve and move the reader. The range of authors takes in such literary greats as Chimamanda Ngozi Adichie and Jhumpa Lahiri, and emerging authors such as Elaine Chiew, Petina Gappah, and Henrietta Rose-Innes. The members of the collective are: Elaine Chiew (Malaysia) Molara Wood (Nigeria) Jhumpa Lahiri (United States) Martin A Ramos (Puerto Rico) Lauri Kubutsile (Botswana) Chika Unigwe (Nigeria) Ravi Mangla (United States) Chimamanda Ngozi Adichie (Nigeria) Skye Brannon (United States) Jude Dib...
A blazingly intelligent first collection of essays from the award-winning author of Open City and Every Day Is for the Thief. With these pieces on politics, photography, travel, history and literature - many of which have become viral sensations, shared and debated around the globe - Teju Cole solidifies his place as one of today's most powerful and original voices. On page after page, deploying prose dense with beauty and ideas, he finds fresh and potent ways to interpret art, people and historical moments. Cole tells of his engagement with Virginia Woolf through her diaries, before reflecting on an episode of temporary blindness in New York. He looks at the rise of Instagram and interrogat...
The fifteen stories in Women Writing Zimbabwe offer a kaleidoscope of fresh, moving, and comic perspectives on the way in which events of the last decade have impacted on individuals, women in particular. Several stories (Tagwira, Ndlovu and Charsley) look at the impact that AIDS has on women who become the care-givers, often without emotional or physical support. It is often assumed that women will provide support and naturally make the necessary sacrifices. Brickhill and Munsengezi focus on the hidden costs and unexpected rewards of this nurturing role. Many families have been separated over the last decade. Ndlovu, Mutangadura, Katedza, Mhute and Rheam all explore exile's long, often pain...
Mary Carruthers's classic study of the training and uses of memory for a variety of purposes in European cultures during the Middle Ages has fundamentally changed the way scholars understand medieval culture. This fully revised and updated second edition considers afresh all the material and conclusions of the first. While responding to new directions in research inspired by the original, this new edition devotes much more attention to the role of trained memory in composition, whether of literature, music, architecture, or manuscript books. The new edition will reignite the debate on memory in medieval studies and, like the first, will be essential reading for scholars of history, music, the arts and literature, as well as those interested in issues of orality and literacy (anthropology), in the working and design of memory (both neuropsychology and artificial memory), and in the disciplines of meditation (religion).
1963. Kenya is on the verge of independence from British colonial rule. In the Great Rift Valley, Kenyans of all backgrounds come together in the previously white-only establishment of the Jakaranda Hotel. The resident musician is Rajan Salim, who charms visitors with songs inspired by his grandfather's noble stories of the railway construction that spawned the Kenya they now know. One evening, Rajan is kissed by a mysterious woman in a shadowy corridor. Unable to forget the taste of her lavender-flavoured lips, Rajan sets out to find her. On his journey he stumbles upon the murky, shared history of three men – his grandfather, the owner of the Jakaranda and a British preacher – who were implicated in the controversial birth of a child. What Rajan unearths will open his eyes about the birth not just of a child, but of an entire nation.