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How do photographs gain their meaning and power? John Tagg claims that, to answer this question, we must look at the ways in which everything that frames photography - the discourse that surrounds it and the institutions that circulate it - determines what counts as truth.
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This volume traces the 300-year history of bird art in Australia, from the crudely illustrated records of the earliest European voyages of discovery to the diversity of artwork available at the start of the 21st century. It is a history inseparable from the development of Australian ornithology. Against a background of establishment of the country itself, naval draftsmen, convicts, officers, settlers, naturalists, artists and scientists alike contributed both to the art and to science.
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In this second volume of his nuclear weapon series, John Clearwater continues to investigate the presence of American nuclear weapons in Canada. In Canadian Nuclear Weapons, Clearwater told the story of nuclear weapons that were in the hands of Canadian forces during the Cold War. In U.S. Nuclear Weapons in Canada, he goes further, looking at nuclear weapons held by American forces on Canadian soil. His purpose is to bring together until-recently secret information about the nature of the nuclear weapons stored, stationed, or lost in Canada by the United States Air Force and the United States Navy, and combines it with known information about the systems in the U.S. nuclear arsenal. The hist...
Draws from previously classified documents, unpublished manuscripts, private correspondence, and other sources to chronicle the events that surrounded the revocation of scientist J. Robert Oppenheimer's security clearance in 1954, discussing the roles of physicist Edward Teller, Republican businessman Lewis Strauss, congressional assistant William Borden, and President Eisenhower.
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