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Paul Rudolph
Paul Rudolph, one of the twentieth century’s most iconoclastic architects, is best known – and most maligned – for his large “brutalist” buildings, like Yale’s Art and Architecture Building. So it will surprise many to learn that early in his career he developed a series of houses that represent the unrivaled possibilities of a modest American modernism. With their distinctive natural landscapes, local architectural precedents, and exploitation of innovative construction materials, the Florida houses, some eighty projects built between 1946 and 1961, brought modern architectural form into a gracious subtropical world of natural abundance developed to a high pitch of stylistic refinement. Paul Rudolph: The Florida Houses reveals all of Rudolph’s early residential work. With Rudolph’s personal essays and renderings, duotone photographs by Ezra Stoller and Joseph Molitor, and insightful text by Joseph King and Christopher Domin, this compelling new book conveys the lightness, timelessness, strength, materiality, and transcendency of Rudolph’s work.
Music in Java
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A Nation Gone Blind
America's citizens seem plagued by despair and frustration, much deeper today than the "malaise" President Jimmy Carter noted twenty years ago. Our political and social cultures are driven by issues morally complex and yet presented with simple–minded hostility. What's the matter with Kansas? What has happened to the once proud leader of the free world? How secure is our future? Does the republic stand or have we lost it already? Born in 1941, novelist, critic, and teacher Eric Larsen sees his own lifetime as paralleling the arc of a national dissolution, and in three penetrating essays he describes an increasingly desperate situation. A blindness has set in, he argues, producing writers no longer able to write, professors more harmful than helpful, a replacement virtually nation–wide of thinking with feeling while the population seems unable to grasp even the remotest outlines of such dangerous, radical change. In the tradition of George Orwell, Upton Sinclair, Paul Goodman, and Christopher Lasch, Larsen offers an impassioned critique of where we once were, where we are, and where we're very soon going if we don't watch out.
Music in Java
One day in the summer of 1921 a postal delivery brought me a little packet of reprints from the periodical "Djawa" : articles about Indonesian music by Dr. JAAP KUNST, which until that moment had not come to my notice. A cursory glance was enough to convince me that the author was a very gifted man, who had made a sound and absolutely scientific study of the subject, and thereby made a valuable contribution, by means of careful observation and actual tone-measurements, to the facts known from the older studies by GRONEMAN, LAND and ELLIS. These measure ments were particularly satisfying to me personally, since they constituted an astonishing confirmation of a hypothesis concerning the genesi...
American Sunshine
In the second half of the nineteenth century, American cities began to go dark. Hulking new buildings overspread blocks, pollution obscured the skies, and glass and smog screened out the health-giving rays of the sun. Doctors fed anxities about these new conditions with claims about a rising tide of the "diseases of darkness," especially rickets and tuberculosis. In American Sunshine, Daniel Freund tracks the obsession with sunlight from those bleak days into the twentieth century. Before long, social reformers, medical professionals, scientists, and a growing nudist movement proffered remedies for America’s new dark age. Architects, city planners, and politicians made access to sunlight central to public housing and public health. and entrepreneurs, dairymen, and tourism boosters transformed the pursuit of sunlight and its effects into a commodity. Within this historical context, Freund sheds light on important questions about the commodification of health and nature and makes an original contribution to the histories of cities, consumerism, the environment, and medicine.
