You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
Soul-Error explores the ways in which, stubbornly yet creatively, we go through life misreading ourselves and our world. Heraclites claimed, long ago, that no one steps in the same river twice. Reprising that riddle, Soul-Error explores how our lives, kaleidoscopically, take on new contours, abandoning old ones.Put some flesh on these bones. A man divorcing a spouse of 30 years' standing declares (to himself, to others), "I never loved her." A friend once said just this to author Philip Weinstein. He and his wife had been close to them both; countless conversations, shared meals and travel, their kids growing up as friends. Did he never love her? Or did his present need to divorce her keep h...
When Jake Darren meets Jo Anne Arnout, he's immediately smitten by her beauty. He convinces her to marry him, and the two set out on what's supposed to be a romantic honeymoon in Beirut, Lebanon. But a funny thing happens during their trip: Jake kills Osama bin Laden, not once, but twice. And as if that isn't enough to liven up the adventure, he then has an out-of-body experience on the Himalayan border of Afghanistan and Pakistan. Even as Jake realizes that he's actually killed imposters, he becomes convinced that God has chosen him to accomplish great things. Meanwhile, the real Osama receives similar messages of greatness from Heaven through the Archangel Gabriel. But this is what Jake gets for marrying the daughter of a Chicago drug dealer with al-Qaeda connections. Of course, it doesn't help that his beautiful mother-in-law was once in love with the most notorious terrorist in the world-before the events of September 11, of course. Despite the raucous ride with familial complications, Jake knows that he must not give up. He must track down the wily terrorist at all costs, so that history will remember him as The Man Who Killed Osama.
Weinstein explores the modernist commitment to 'unknowling' by addressing the work of three experimental writers: Franz Kafka, Marcel Proust, & William Faulkner.
Anyone who has seen Maxwell Street has a story about Maxwell Street. You didn't have to shop there, work there, or eat there. You didn't have to be Jewish. You just had to go there, or merely pass-by, in order to experience something that stuck in your mind forever. Only a few blocks south of Chicago's downtown, Maxwell Street was predominately a Jewish enclave, but you could also hear the Blues, bargain with Gypsies, and find bargain hunters from all walks of life. This book focuses on the stories of the last Jewish generations that lived and worked in the Maxwell Street market area. Beginning in the late 19th century, it was there that thousands of Jewish immigrants first grasped the American dream. The descendents of those first Jewish peddlers absorbed the legacies left them; some went on to be among the most notable and successful personalities of the 20th century. On Maxwell Street, the best merchandise was knowledge.
Featuring 37 essays by distinguished literary scholars, A Companion to the American Novel provides a comprehensive single-volume treatment of the development of the novel in the United States from the late 18th century to the present day. Represents the most comprehensive single-volume introduction to this popular literary form currently available Features 37 contributions from a wide range of distinguished literary scholars Includes essays on topics and genres, historical overviews, and key individual works, including The Scarlet Letter, Moby Dick, The Great Gatsby, Beloved, and many more.
William Faulkner was the greatest American novelist of the twentieth century, yet he lived a life marked by a pervasive sense of failure. Throughout his career, he remained haunted by his inability to master a series of personal and professional challenges: his less-than-heroic military career; the loss of his brother in an airplane crash; a disappointing stint as a Hollywood screenwriter; and a destructive bout with alcoholism. In this imaginative biography, Philip Weinstein--a leading authority on the great novelist--targets Faulkner's embattled sense of self as central to both his life and his work. Weinstein shows how Faulkner's troubled interactions with time, place, and history--with a...
Though numerous biographies have been published on William Faulkner, readers are often presented conflicting interpretations of his life and work. Faulkner’s view of himself and his own family was mercurial, and it is widely acknowledged that Faulkner was an unreliable narrator of his own life. As a result, biographies of Faulkner echo and complicate the multitude of ways he portrayed himself, accepting that truth—if it exists—is subjective. Like his work, Faulkner’s own life, then, is not only open to different readings but welcomes them within the landscape of his oeuvre. Faulkner On and Off the Page acknowledges the challenges of “factifying” a life into a textual narrative, w...
William Faulkner continues to be an author who is widely read, studied, and admired. This book provides a new and interdisciplinary account of Faulkner's legacy, arguing that his fiction is just as relevant today as it was during his own time. Indeed, Faulkner's far-reaching critique of his Southern heritage speaks directly to the anti-racism discourse of our own time and engages the dire threat to subjecthood in a technologically saturated civilization. Combining literary critique with network and complexity science, this study offers a new reading of William Faulkner as a novelist for the information age. Over the course of his career, we find an artist struggling to articulate the threat to human wellbeing in rapidly scaling social systems and gradually developing a hard-won humanism that affirms the individual and interpersonal life as a source of novelty and social change.
This work examines the dialectic of desire and value, as it affects the protagonist's identity, in fiction from Dickens and George Eliot through Hardy and Conrad to Lawrence and Joyce. Philip Weinstein describes the growing sexualization of the imagined body--the transformation of the protagonistic self from a figure defined by semantics, signification, and cultural value to one characterized by desire, force, and natural impulse. Originally published in 1984. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.