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Perspective, Projections and Design
The essays selected for this book, presented in chronological order, discuss various aspects of image-making technologies, geometrical knowledge and tools for architectural design, focusing in particular on two historical periods marked by comparable patterns of technological and cultural change. The first is the Renaissance; characterized by the rediscovery of linear perspectives and the simultaneous rise of new formats for architectural drawing and design on paper; the second, the contemporary rise of digital technologies and the simultaneous rise of virtual reality and computer-based design and manufacturing. Many of the contributing authors explore the parallel between the invention of the perspectival paradigm in early-modern Europe and the recent development of digitized virtual reality. This issue in turn bears on the specific purposes of architectural design, where various representational tools and devices are used to visualize bi-dimensional aspects of objects that must be measured and eventually built in three-dimensional space.
Vernacular Architecture
Vernacular architecture refers to regional buildings. It utilizes resources from the region in which the buildings are situated. This type of architecture reveals a collective heritage, embodying the diversity and richness of natural, human, and socio-cultural contexts. Vernacular architecture thus is the result of ancestral knowledge in the use of local materials and pure craft techniques. The book focuses on four topics: (1): Richness and diversity of forms of expression; (2) Restoration issues and revitalization challenges, (3) Natural risks and resilience, and (4) Vernacular architecture as a source of inspiration and a lever for development. Keywords: Coastal Vernacular Architecture, Cl...
The Vision of Rome in Late Renaissance France
"The French vision of Rome was initially determined by travel journals, guide books and a rapidly developing trade in antiquities. Against this background, Margaret McGowan examines work by writers such as Du Bellay, Grevin, Montaigne and Garnier, and by architects and artists such as Philibert de L'Orme and Jean Cousin, showing how they drew upon classical ruins and reconstructions not only to re-enact past meanings and achievements but also, more dynamically, to interpret the present. She explains how Renaissance Rome, enhanced by the presence of so many signs of ancient grandeur, provided a fertile source of artistic creativity. Study of the fragments of the past tempted writers to an imaginative reconstruction of whole forms, while the new structures they created in France revealed the artistic potency of the incomplete and the fragmentary.
A Sense of the Sacred
There have been many histories of Christian art and architecture but none written be a theologian such as Kevin Seasoltz. Following a chapter on culture as the context for theology, liturgy, and art, Seasoltz surveys developments from the early church up through the conventional artistic styles and periods. Comprehensive, illuminating, ecumenical.
Bibliography of Art and Architecture in the Islamic World (2 Vol. Set)
Following the tradition and style of the acclaimed Index Islamicus, the editors have created this new Bibliography of Art and Architecture in the Islamic World. The editors have surveyed and annotated a wide range of books and articles from collected volumes and journals published in all European languages (except Turkish) between 1906 and 2011. This comprehensive bibliography is an indispensable tool for everyone involved in the study of material culture in Muslim societies.
Time-based Architecture
This study is part of the project 'Context and Modernity' at the Faculty of Architecture, Delft University of Technology.
Le Corbusier, the Dishonest Architect
This is not a book for architects, but for all those that have suffered, consciously and unconsciously, from modern architecture and have wondered how it came about. This was largely due to one man, an architect called Le Corbusier. For some he was a genius, but the truth is he was a sham, a fake, a charlatan whose only gift was for self-publicity. He was the most influential architect of the second half of the twentieth century; his influence overwhelmed the architectural profession on a global scale, who swallowed his publicity whole, and still hold him in awe. For the rest of the world, the mere mortals, his influence was disastrous, as traditional buildings were destroyed and replaced by...
The Europa International Foundation Directory 2023
This fully revised directory of international foundations, trusts, charitable and grantmaking NGOs and other similar non-profit institutions provides a comprehensive picture of foundation activity on a worldwide scale. Now in its 32nd edition, The Europa International Foundation Directory includes: Information on some 2,700 organizations, organized by country or territory, including details of funding priorities and projects, geographical area of activity, principal staff and contact details Details of co-ordinating bodies and centres that assist foundations, grantmaking organizations and other NGOs Bibliography Comprehensive index section This new edition has been revised and expanded to include the most comprehensive and up-to-date information on this growing sector.
Homing the Machine in Architecture
Homing the Machine in Architecture is a series of conversations on the ways designers, practitioners, historians, and theorists orient themselves within the world of architectural digital fabrication. To “home” a digital fabrication machine is to send it back to its origin point—a point that can be specified by the fabricator in advance of the fabrication process or by the defaults that are pre-programmed into the machine. The homing process is necessary and productive since it determines the physical point at which the machine (and the maker) begin making—every time that architectural designers begin to digitally fabricate something new, they first need to home the machine. This boo...
Grid meets the hills
"Comme la plupart des villes américaines, San Francisco s'est développée suivant un système de grille orthogonale, ne tenant pas compte de la topographie particulière (42 collines et une baie). Il en résulte un phénomène peu commun : les rues rectilignes jouent aux montagnes russes car l'outil du colonisateur et les reliefs sont entrés en guerre au mépris d'une rationalité évidente.
