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From Pissarro to Picasso
By depicting life in the streets, cabarets and cafes of Paris, these artists fully exploited the creative possibilities of the color etching technique, producing subtly colored prints that were charged with atmosphere.
Toulouse-Lautrec and La Vie Moderne
Catalog of an exhibition held at the Nevada Museum of Art, Reno, November 2, 2013-January 19, 2014; Columbus Museum of Art, Ohio, February 8-May 18, 2014; Foothills Art Center, Golden, Colorado, June 7-August 17, 2014; Art Gallery of Alberta, Edmonton, Canada, September 6-November 16, 2014; Society of the Four Arts, Palm Beach, Florida, December 5, 2014-January 11, 2015; and Crocker Art Museum, Sacramento, California, January 31-April 26, 2015.
Impressionists on the Water
"Published...on the occasion of the exhibition Impressionists on the Water on view at the Legion of Honor Museum, San Francisco, from June 1 to October 6, 2013 and at the Peabody Essex Museum, Salem Massachusetts, from November 9, 2013 to February 9, 2014."--Colophon.
Théophile-Alexandre Steinlen
Théophile Alexandre Steinlen, was a Swiss-born French Art Nouveau painter and printmaker. This is a collection of many of his works.
The Color Revolution
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The Spirit of Montmartre
Cabarets, Humor and the Avant Garde, 1875-1905
Toulouse-Lautrec and Montmartre
A stunning collection of reproductions of some of the artist's major works sets the paintings of Henri de Toulouse-Lautrec within the context of the art scene of Montmartre, from 1885 to 1901, featuring a selection of paintings, drawings, prints, and posters capturing Montmartre subjects, as well as incisive essays on the artist, his work, the members of his circle, and his influence.
The Poster
The Poster: Art, Advertising, Design, and Collecting, 1860sÐ1900s is a cultural history that situates the poster at the crossroads of art, design, advertising, and collecting. Though international in scope, the book focuses especially on France and England. Ruth E. Iskin argues that the avant-garde poster and the original art print played an important role in the development of a modernist language of art in the 1890s, as well as in the adaptation of art to an era of mass media. She moreover contends that this new form of visual communication fundamentally redefined relations between word and image: poster designers embedded words within the graphic, rather than using images to illustrate a...
Models of Collaboration in Nineteenth-Century French Literature
Contributing to the current lively discussion of collaboration in French letters, this collection raises fundamental questions about the limits and definition of authorship in the context of the nineteenth century's explosion of collaborative ventures. While the model of the stable single author that prevailed during the Romantic period dominates the beginning of the century, the authority of the speaking subject is increasingly in crisis through the century's political and social upheavals. Chapters consider the breakdown of authorial presence across different constructions of authorship, including the numerous cenacles of the Romantic period; collaborative ventures in poetry through the pr...
