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The Cambridge Introduction to French Poetry
Mary Shaw covers all aspects of French poetry from the Middle Ages to the present day in this text. Chapters focus on verse, genres, poetry, politics and philosophy among other topics. Designed specifically for use in courses, the volume contains a useful glossary of poetic terms, and is invaluable to students as well as teachers.
The Turn of the Century
Rewritten versions of contributions to an international conference held at the University of Antwerp in May 1992. Starting point for the conference was the vagueness of the very terms 'modernism' and 'modernity'. In the first section a group of comparatists address the theoretical and terminological problems of modernism. Practical readings of modernist writers; discussions of different modernist movements; and, the work of critics who have contributed to debates about modernism make up the second section. The third section looks at the problem of modernism from an interartistic and interdisciplinary perspective.
World, Self, Poem
World, Self, Poem collects the best of the essays submitted by poets and scholars from around the U.S. and Canada, and beyond, for presentation at the "Jubilation of Poets" festival celebrating the 25th anniversary of the Cleveland State University Poetry Center in October 1986. In this collection, eighteen critics consider the works of a number of important postmodern poets and, using various approaches, confront some of the central problems posed by the poetry of the past 25 years. John Ashbery, Wendell Berry, Edward Dorn, Robert Duncan, Geoffrey Hill, Ted Hughes, Lousie Gluck, Adrienna Rich, Denise Levertov, Gary Snyder, Gerald Stern, and William Stafford are among the poets who receive detailed attention in these essays. The questions addressed include political involvement and noninvolvement, the theme of nuclear annihilation, the poet's use and misuse of history, poetry workshops in Central America; the "I" in contemporary poetry; the pastoral vein in contemporary poetry; the nature and implications of concrete and "found" poetry; analogies of poetry and music.
Stage Fright
Grounded equally in discussions of theater history, literary genre, and theory, Martin Puchner's Stage Fright: Modernism, Anti-Theatricality, and Drama explores the conflict between avant-garde theater and modernism. While the avant-garde celebrated all things theatrical, a dominant strain of modernism tended to define itself against the theater, valuing lyric poetry and the novel instead. Defenders of the theater dismiss modernism's aversion to the stage and its mimicking actors as one more form of the old "anti-theatrical" prejudice. But Puchner shows that modernism's ambivalence about the theater was shared even by playwrights and directors and thus was a productive force responsible for ...
Vénus Noire
Even though there were relatively few people of color in postrevolutionary France, images of and discussions about black women in particular appeared repeatedly in a variety of French cultural sectors and social milieus. In Vénus Noire, Robin Mitchell shows how these literary and visual depictions of black women helped to shape the country's postrevolutionary national identity, particularly in response to the trauma of the French defeat in the Haitian Revolution. Vénus Noire explores the ramifications of this defeat in examining visual and literary representations of three black women who achieved fame in the years that followed. Sarah Baartmann, popularly known as the Hottentot Venus, rep...
The Voluble Soul
“The world’s fair beauty set my soul on fire.” In this first study of the full range of Traherne’s poetry Richard Willmott explains his ‘metaphysical’ poetry to all who are attracted by the beauty of his language, but puzzled by his meaning. He offers guidance both for the student of English, uncertain about Traherne’s theological ideas, and the student of theology, put off by seventeenth-century poetic conventions and diction. Using a wealth of quotation, he examines Traherne’s verse alongside that of a variety of his contemporaries, including Andrew Marvell, Lucy Hutchinson, Anne Bradstreet and Edward Taylor. Central to Traherne’s poetry and generous theology is his delig...
Regarding the Popular
Regarding the Popular charts the complex relationship between the avant-gardes and modernisms on the one hand and popular culture on the other. Covering (neo-)avant-gardists and modernists from various European countries, this second volume in the series European Avant-Garde and Modernism Studies explores the nature of so-called “low” culture, dealing with aspects as diverse as the everyday and the folkloric. Regarding the Popular charts the many ways in which the allegedly “high” modernists and avant-gardists looked at and represented the “low”. As such, this book will appeal to all those with an interest in the dynamic of modern experimental arts and literatures.
