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In a time of mass migration, border tensions and spreading nationalism, Swiss photographer Roger Eberhard reveals the instability of manmade demarcations In Human Territoriality, Swiss photographer Roger Eberhard (born 1984)--based in Berlin and Zurich--documents former borderlands, both recent and ancient, in 51 countries. In-depth captions accompany the images.
"Lukas Hoffmann observes artefacts: asphalt, scrub, masonry, building façades. In his photographs the human presence is missing. Yet the traces that man has left behind intrigue the eye of the camera: cracks, corrugations, and the overgrowth of plant life that regains ascendancy over the man-made space. Abstract entities with different surfaces --sometimes black and white, sometimes colour--which can become filled with associations, like looking at clouds. The eye goes in search of recognizable forms to orient itself. The Anthropocene unintentionally produces poetic images that the photographer reveals on his or her forays through our present. The photo book untitled overgrowth appears in conjunction with the exhibitions at the Kunsthaus Zug, from 26 January to 17 March 2019, the Photoforum Pasquart, Biel, from 7 July to 9 September 2019, and the Point du Jour, Cherbourg, from 14 June to 27 September 2020." -- Publisher's website
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One of the first Swiss performance artists, Manon has fashioned a career for herself out of the identities of others. Whether exploring the limits of gender or the beauty of decay, Manon--through her personas, installations, and performance pieces--continually foregrounds the instability of place and self. Her most recent project, She Was Once MISS RIMINI, is one of her most brutal and touching. Here, she literally depicts imagined futures for an aging beauty queen. Each exquisite image in this pictorial essay teases out the possible paths Miss Rimini--an alter-ego for Manon who "happened" upon a beauty pageant in the early 1970s and walked away with the crown--could have taken. A small-town...
The Encyclopedia of Twentieth-Century Photography explores the vast international scope of twentieth-century photography and explains that history with a wide-ranging, interdisciplinary manner. This unique approach covers the aesthetic history of photography as an evolving art and documentary form, while also recognizing it as a developing technology and cultural force. This Encyclopedia presents the important developments, movements, photographers, photographic institutions, and theoretical aspects of the field along with information about equipment, techniques, and practical applications of photography. To bring this history alive for the reader, the set is illustrated in black and white throughout, and each volume contains a color plate section. A useful glossary of terms is also included.
Vivid, colorful, and spectacular: a lush and definitive overview showcasing the masterworks of flower photography by the world’s leading photographers. Flowers have been a source of inspiration for photographers since the medium’s inception; immortalized by luminaries such as Man Ray, Robert Mapplethorpe, Irving Penn, and Julia Margaret Cameron. Today, flower photography has come into full bloom once again, with photographers capturing flowers in inspiring new ways. Featuring two hundred works, Flora Photographica links the very best of flower photography from the past twenty years with its predecessors—canonical floral images from the realms of photography, illustration, and painting ...