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She was Once Miss Rimini
  • Language: en
  • Pages: 136

She was Once Miss Rimini

  • Categories: Art

One of the first Swiss performance artists, Manon has fashioned a career for herself out of the identities of others. Whether exploring the limits of gender or the beauty of decay, Manon--through her personas, installations, and performance pieces--continually foregrounds the instability of place and self. Her most recent project, She Was Once MISS RIMINI, is one of her most brutal and touching. Here, she literally depicts imagined futures for an aging beauty queen. Each exquisite image in this pictorial essay teases out the possible paths Miss Rimini--an alter-ego for Manon who "happened" upon a beauty pageant in the early 1970s and walked away with the crown--could have taken. A small-town...

Backgrounds of Early Christianity
  • Language: en
  • Pages: 676

Backgrounds of Early Christianity

New to this expanded & updated edition are revisions of Ferguson's original material, updated bibliographies, & a fresh dicussion of first century social life, the Dead Sea Scrolls & much else.

Art, Intellect and Politics
  • Language: en
  • Pages: 652

Art, Intellect and Politics

  • Type: Book
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  • Published: 2012-11-30
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  • Publisher: BRILL

The volume explores the relationship of artists and intellectuals from ancient Greece to modern times. Special attention is paid to Plato, Augustan poets (including the reception), Soviet art (Mayakowsky) and Jewish intellectuals. Non European contexts (China, Turkey) are treated as well.

Art on Paper
  • Language: en
  • Pages: 206

Art on Paper

  • Type: Book
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  • Published: 1998
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  • Publisher: Unknown

None

Horn Please
  • Language: en
  • Pages: 256

Horn Please

  • Categories: Art
  • Type: Book
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  • Published: 2007
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  • Publisher: Unknown

Edited by Bernhard Fibicher and Suman Gopinath.

Missing Link
  • Language: en
  • Pages: 336

Missing Link

  • Type: Book
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  • Published: 2000
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  • Publisher: Unknown

Photography, more than any other medium, has altered the way we see ourselves and changed our perception of art. Pictures of people have become part and parcel of our daily life, influencing us through advertising and media. At the same time, the status of the human image in art has been enhanced, even though photography has called into question traditional views of art. Photography is, as it were, the "missing link" between man, the image of man and art.

Rene Burri Photographs
  • Language: en
  • Pages: 460

Rene Burri Photographs

  • Type: Book
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  • Published: 2007-06-26
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  • Publisher: Unknown

The first career retrospective of Rene Burri, one of the world's greatest living photographers, is now available in paperback. Known the world over for his iconic images of Che Guevara and Brasília, Burri's remarkable and adventurous work is brought together in this career-spanning collection. More than a photography monograph, this is also a history book of the major political events and key personalities of the twentieth century seen through the eyes of one man. The photographs range through Europe to the Middle East, Vietnam, Cuba and beyond, and portray political and artistic figures like Che Guevara, Winston Churchill, Picasso and Le Corbusier. The culmination of several years of scholarly research by the distinguished writer Hans Michael Koetzle, this book reveals Burri's important contribution to reportage photography and forms a fascinating personal account of the history, politics and culture of the twentieth century.

Blockbuster
  • Language: de
  • Pages: 115

Blockbuster

  • Categories: Art

Sie werden als Publikumsmagneten bewundert, als vermeintliche Marketingevents verachtet – die aufsehenerregenden Großausstellungen der Kunst. Als »Blockbuster« verwandeln diese Präsentationen das Kunsterlebnis in ein Kulturspektakel, die Museen in Eventzo

Auctioneers Who Made Art History
  • Language: en
  • Pages: 278

Auctioneers Who Made Art History

  • Categories: Art

Procurement analysis, sales planning, customer orientation, brand management—the art market is changing more rapidly than ever before. The price that a work of art commands influences its place in the art-historical canon. Auction houses have become dominant avenues of distribution, as have art fairs, galleries, and art dealers. Even today the ritual dramaturgy of the auction resembles an archaic competition, which can leave participants speechless and captivate bystanders. At the center of the action is the auctioneer, whose performance is increasingly critical to the success of the auction. With portraits of auctioneers, this volume tells the story of the art auction business. Key events that played out in cities such as New York, Paris, Zurich, Berlin, Stuttgart, and Pompeii come alive and show how the auctioneer is emerging from the anonymity of a service provider and stepping into the limelight as the star of the show. (Deutsche Ausgabe ISBN 978-3-7757-3902-3) In conjunction printed volumes (German edition ISBN 978-3-7757-3902-3, English edition ISBN 978-3-7757-3903-0) are also available.

Album
  • Language: en
  • Pages: 332

Album

  • Categories: Art
  • Type: Book
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  • Published: 2007
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  • Publisher: JRP Ringier

Beautifully designed, text-heavy and smart, Album is a deliberately unrepresentative compilation of genre-hopping textual and visual material placed in orbit around the work of the influential young Swiss artists Urs Fischer, Yves Netzhammer, Ugo Rondinone and Christine Streuli--all of whom were born in the early- to mid-1970s, and all of whom represented Switzerland at the 2007 Venice Biennale. Finely printed on uncoated paper, the book includes specially commissioned critical texts, conversations, reports and visual essays that address, sometimes straightforwardly, sometimes obliquely, the larger issues implied in this group's work--such as notions of time, the animal and the human, shock and materiality. With a similarly eclectic mix of historical analysis, literary tableau and art-world journalism, the book imagines a psycho-geography of Switzerland, from its Alps to its art-filled bunkers. Sensitive to the nature of its context, informative and discursive rather than promotional, the book is rounded off with a survey on the future of biennials in relation to the present-day "fair mania" and a selection of critical views.