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The story of the Philadelphia Orchestra told through three of its greatest conductors.
The author examines the role of comedy in the novels of four key postmodern Spanish-American writers: Gustavo Sainz, Alfredo Bryce Echenique, Jaime Bayly and Fernando Vallejo.
This volume traces the modern critical and performance history of this play, one of Shakespeare's most-loved and most-performed comedies. The essay focus on such modern concerns as feminism, deconstruction, textual theory, and queer theory.
Poetry began as a spoken art and remains one to this day, but readers tend to view the poem on the page as an impenetrable artifact. This book examines the performance of poetry to show how far beyond the page it can travel. Exploring a range of performances from early twentieth-century recitations to twenty-first-century film, CDs, and Internet renditions, Beyond the Page offers analytic tools to chart poetry beyond printed texts. Jill S. Kuhnheim, looking at poetry and performance in Spanish America over time, has organized the book to begin with the early twentieth century and arrive at the present day. She includes noteworthy poets and artists such as José Martí, Luis Palés Matos, Eus...
At the beginning of the third decade of the 21st century, the Latino minority, the biggest and fastest growing in the United States, is at a crossroads. Is assimilation taking place in comparable ways to previous immigrant groups? Are the links to the countries of origin being redefined in the age of contested globalism? The Oxford Handbook of Latino Studies reflects on these questions, offering a sweeping exploration of Latinas and Latinos' complex experiences in the United States. Twenty-four essays discuss various aspects of Latino life and history, from literature, popular culture, and music, to religion, philosophy, and language identity.
Throughout the literary imaginaries of the twentieth century there is a reiteration of an authoritarian patriarchal pattern that permeates the social arena as well as the female subject, revealing the contradictions of the Chilean modernity/modernization process. The nation appears invariably determined by semi-feudal and semi-modern structures as well as split female modern subjects. Noticing this has led the author to write this book and investigate specifically the ways the discourse of modernity conflicts with the marriage contract in the construction of feminine subjectivity. Marriage is one of the modern protocols that resolve sexual difference through a pact that proclaims male protection in exchange for female obedience. Subordination of difference becomes the overarching feature guiding an incomplete modernity and its attainment in a hierarchical society.
This volume contains an examination of what are described as the most poetic examples of Chilean prose written in the 20th century. By adopting Ralph Freedman's conceptual definition of lyrical narrative and using it as her point of departure, Professor Kostopolos-Cooperman argues that the protean and magical nature of Bombal's lyrical prose transcends the causal, temporal and spatial movement that characterizes conventional fiction. In her view, Bombal's work is rather a narrative that arises in the poetic imagination of a narrator who creates a tapestry of expanding musical and pictorial patterns frequently reflecting the inner lives of her protagonists - alienated heroines who withdraw into an illusory world of dreams, fantasies and idealized realities where the conflict between self and other is rendered through a suggestive and contemplative network of subjective associations.
How can broadcasting help us understanding music and its cultural role, both historically and today? To answer this question, Music and the Broadcast Experience brings together fourteen leading music and media scholars, who explore how music and broadcasting have developed together throughout the twentieth and into the twenty-first centuries.
The Latin American Literary Boom was marked by complex novels steeped in magical realism and questions of nationalism, often with themes of surreal violence. In recent years, however, those revolutionary projects of the sixties and seventies have given way to quite a different narrative vision and ideology. Dubbed the new sentimentalism, this trend is now keenly elucidated in Love and Politics in the Contemporary Spanish American Novel. Offering a rich account of the rise of this new mode, as well as its political and cultural implications, Aníbal González delivers a close reading of novels by Miguel Barnet, Elena Poniatowska, Isabel Allende, Alfredo Bryce Echenique, Gabriel García Márqu...