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Imperial Designs is the first text in English to deal comprehensively with the subject of the Italian colonial experience in China in the nineteenth and twentieth centuries. Recent scholarship on both the Liberal and Fascist Italian colonial enterprises centers on the Mediterranean and Northern Africa: expeditions, wars, ultimate occupation of territories, and their effect on Italy. This study looks at three Italian enclaves on the other side of the globe: Beijing, Tianjin, and Shanghai. These present both a window into the Italian experience in the Far East and confirmation of imperial policy. Their very presence confirms the rhetoric of conquest. Journalist Luigi Barzini, Sr.; diplomats Salvago Raggi, Varè, and Ciano; various military personnel; and other foreign nationals tell the story through letters and diaries. They all interact with the local metropolitan and rural poor and cultivate a generalized colonial white man’s detachment from their surroundings. A brief summary of the presence of chinoiserie in the Italian imaginary shows how the Celestial Empire has continued to function in the construction of Italian identity as part of the dichotomy between self and other.
Few other cities can compare with Rome's history of continuous habitation, nor with the survival of so many different epochs in its present. This volume explores how the city's past has shaped the way in which Rome has been built, rebuilt, represented and imagined throughout its history. Bringing together scholars from the disciplines of architectural history, urban studies, art history, archaeology and film studies, this book comprises a series of studies on the evolution of the city of Rome and the ways in which it has represented and reconfigured itself from the medieval period to the present day. Moving from material appropriations such as spolia in the medieval period, through the carto...
By exploring the diverse nature of foreign activities in Republican China, this book complicates the dominant narratives of the imperialistic foreigner and Chinese victim. The spaces and relationships examined in the essays in this volume reveal a complex series of interactions between foreigners and the people of China which go far beyond one-way transmission or exploitation. This edited volume adopts a uniquely multi-disciplinary approach to the study of foreigners in China, and utilises the perspectives of historiography, literary studies, cultural studies, sociology, anthropology, and political science.
The history of design in Italy is explored in this authoritative and comprehensive work. Design periods include the era of Piranesi, the eclecticism of the 19th century, the futurism of the early 20th century, the dogmatic fascism of the interwar period, the designs of Pier Luigi Nervi and on to the present day.
How elite Roman families used genealogy, architecture, and the urban fabric to appropriate the city’s saints for their own Domesticating Saints in Medieval and Early Modern Rome explores the creative efforts of some of Rome’s most prominent noble families to weave themselves into Rome’s Christian past. Maya Maskarinec shows how, from late antiquity to early modernity, elite Roman families used genealogy, architecture, and the urban fabric to appropriate the city’s saints for their own, eventually claiming them as ancestors. Over the course of the Middle Ages, there developed a pronounced sense that churches and their saints belonged to specific regions, neighborhoods, and even famili...
This book offers a critical analysis of global mobilities across China and Italy in history. In three periods in the twentieth century, new patterns of physical mobilities and cultural contact were established between the two countries which were either novel at the time of their emergence or impactful on subsequent periods. The first two chapters provide overviews of writings by Italians in China and by Chinese in Italy in the twentieth century. The remaining chapters cover: Republican China’s relationships with Italy and Italian Fascist colonialism in China during the 1920s–1930s; Italian travelers to China during the Cold War from the 1950s to the 1970s; migrations between China and Italy during the 2000s–2010s. In analyzing these cultural mobilities, this book opens a new line of inquiry in Chinese-Italian Cultural Studies, which has been dominated by historical study, and contributes a significant case study to the scholarship on global cultural mobilities.
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After the Fall explores the many traces of fascism that can be found in the architecture and urban form of Rome – from its buildings, monuments and piazze, to its street names and graffiti. It reveals how the legacy of this short period in history shaped - and continues to shape - Rome's contemporary cityscape in powerful ways, and examines what this can tell us about the persistence of troubling political and historical legacies in the built environment. Italy's fascist period (1922-1943) is perhaps the least-understood episode of Rome's architectural history. Yet paradoxically those two decades have, arguably more than any other, defined our contemporary view of Rome's world-famous ancie...
Developed by an international team of historians, sociologists, political scientists and economists, this collection is the most comprehensive reader of the history of Sino-Italian relations currently available in the English language.
This book presents a comprehensive narrative and historical analysis of the political and economic relations between China and Italy from the Treaty of Friendship and Commerce signed in October 1866 to the Second World War. Utilizing primary sources found in public and private archives, the volume acknowledges the relevance of eminent figures and their roles and contributions in developing the relations between Italy and China. It provides an extensive presentation of the close relations between the Chinese nationalist and Italian fascist regimes and their interaction in the interwar period. The Italian and Chinese governments had a prolonged political and economic dialogue, which lasted for...