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Bombarded Naples Sings
Intensely lyrical and unabashedly sensual, Piero Bellanova's Bombarded Naples Sings is a masterpiece of Italian Futurist literature. The final volume to appear under the movement's illustrious 'Edizioni Futuriste di Poesia' imprint, it was a product of Futurism's concluding (and least studied) phase, extending from Italy's entry into World War Two in 1940 to the death of the movement's leader, F. T. Marinetti, four years later. First published in August 1943 - between the fall of Mussolini's Fascist regime in July, and the invasion of the Italian mainland by Allied troops that September - it's been seen as an attempt "to construct an epic of everyday life by means of a first-hand account of ...
Historical Earthquakes, Tsunamis and Archaeology in the Iberian Peninsula
Research on historical earthquakes and tsunamis in the Iberian Peninsula has made great strides in recent years, from diverse scientific fields ranging from geology to archaeology. In addition to the famous earthquake and tsunami of 1755, which intensely affected the peninsula, researchers are conducting a growing number of surveys and case studies on seismic episodes and extreme wave events of possible tsunamigenic origin in Portugal and Spain during the ancient, medieval, and modern eras. However, the development of these studies has suffered due to a certain lack of communication among the different fields of research, which are focused on their own methodologies and interests. The aim of this book is to promote interdisciplinary dialogue by linking the results of the most recent research into historical earthquakes and tsunamis in Iberia from the fields of geology, history and archaeology. The volume, which devotes special attention to tsunamis and to events that occurred in the Iberian Peninsula before 1755, offers synthetic insights, updates, and case studies of maximum interest for knowledge of the historical seismology of Portugal and Spain.
Loco Motrix
A musician, musicologist, and self-defined “poet of research,” Amelia Rosselli (1930–96) was one of the most important poets to emerge from Europe in the aftermath of World War II. Following a childhood and adolescence spent in exile from Fascist Italy between France, England, and the United States, Rosselli was driven to express the hopes and devastations of the postwar epoch through her demanding and defamiliarizing lines. Rosselli’s trilingual body of work synthesizes a hybrid literary heritage stretching from Dante and the troubadours through Ezra Pound and John Berryman, in which playful inventions across Italian, English, and French coexist with unadorned social critique. In a ...
Marco Bellocchio
Marco Bellocchio is one of Italy's most important and prolific directors, with a career spanning five decades. In this book, Clodagh J. Brook explores the boundaries between the public and the private, the political and the personal, and the collective and the individual as they appear in Bellocchio's films. Including work on psychoanalysis, politics, film production, autobiography, and the relationship between film tradition and contemporary culture, Marco Bellocchio touches on fundamental issues in film analysis. Brook's study interrogates what it means to make personal or anti-institutional art in a medium dominated by a late-capitalist industrial model of production. Her readings of Bellocchio's often enigmatic and perplexing work suggest new ways to answer questions about subjectivity, objectivity, and political commentary in modes of filmmaking. Relating the art of a private director to a public medium, Clodagh J. Brook's work is an important contribution to our understanding of film.
2022
The first part of the yearbook contains ten essays on Futurist art and literature in Italy, France, Russia, Poland, Portugal and the former colony of Goa. Among other things, early Futurist publishing and propaganda initiatives by means of manifestos, press releases, and newssheets are examined, as well as Athos Casarini's artistic and political work undertaken in Italy and the USA. Articles in the second part deal with the 30th anniversary of the international Academy of Zaum as well as various conferences, exhibitions and publications celebrating the centenary of Zenitism in Serbia and Croatia. Critical responses to exhibitions, conferences and publications as well as a bibliographical section with information on 139 recent book publications on Futurism conclude the yearbook.
2023
This thirteenth volume of the International Yearbook of Futurism Studies explores some of the many facets of Neo-Futurism from the second half of the twentieth century to the present day. It looks both at the revival and the continuation of Futurist aesthetics, whether in explicit or palimpsest form, in a variety of media: literature, visual art, design, music, architecture, theatre and photography. The essays delve into the broad spectrum of artistic research and offer a good dozen case studies that document, with a transnational and interdisciplinary orientation, the manifold forms of Neo-Futurism in various parts of the world. They investigate how historical Futurism's intellectual and artistic perspective was appropriated and developed further in a more or less conscious, faithful and original way, all the while confronting its progenitor's cultural, social and political misconceptions. Interdisciplinary contributions to neo-futurism as a global phenomenon
Mavericks of Italian Cinema
The history of Italian cinema includes, in addition to the renowned auteurs, a number of peculiar and lesser-known filmmakers. While their artistry was often plagued with production setbacks, their works—influenced by poetry, playwriting, advertising, literature, comics and a nonconformist, sometimes antagonistic attitude—were original and thought provoking. Drawing from official papers and original scripts, this book includes much previously unpublished information on the works and lives of post–World War II filmmakers Pier Carpi, Alberto Cavallone, Riccardo Ghione, Giulio Questi, Brunello Rondi, Paolo Spinola, Augusto Tretti and Nello Vegezzi.
Translating across Sensory and Linguistic Borders
This book analyses intersemiotic translation, where the translator works across sign systems and cultural boundaries. Challenging Roman Jakobson’s seminal definitions, it examines how a poem may be expressed as dance, a short story as an olfactory experience, or a film as a painting. This emergent process opens up a myriad of synaesthetic possibilities for both translator and target audience to experience form and sense beyond the limitations of words. The editors draw together theoretical and creative contributions from translators, artists, performers, academics and curators who have explored intersemiotic translation in their practice. The contributions offer a practitioner’s perspect...
Italian Futurist Poetry
Italian Futurist Poetry contains more than 100 poems (both Italian and English versions) by sixty-one poets from across Italy.
