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Paul Jankowski offers a fresh look at Verdun, one of the longest and bloodiest battles of the First World War, in a book the will surely become the standard work on the topic.
Part 1, Books, Group 1, v. 24 : Nos. 1-148 (March, 1927 - March, 1928)
A gripping narrative of the most infamous Western Front battle of the war. The British remember the Somme, Russia the Brusilov Offensive, and France and Germany remember Verdun
The Cambridge History of the First World War is a comprehensive, three-volume work which provides an authoritative account of the military, political, social, economic and cultural history of the Great War. Reflecting the very latest research in the field, the volumes provide a comprehensive guide to the course of the war and of how the dynamics of conflict unfolded throughout the world. Volume I surveys the military history showing the brutal realities of a global war among industrialized powers, whilst Volumes II and III explore the social, economic, cultural and political challenges that the war presented to politicians, industrialists, soldiers and civilians. Written by a team of leading international historians, the volumes together reveal the ways in which the war transcended the boundaries of Europe to subsequently transform the Middle East, Africa, Asia and the Americas just as much as Europe itself.
This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1990. This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived
During the First World War, mass media achieved an enormous and continuously growing importance in all belligerent countries. Newspaper, illustrated magazines, comics, pamphlets, and instant books, fi ctional works, photography, and the new-born “theater of imagery”, the cinema, were crucial in order to create a heroic vision of the events, to mobilize and maintain the consensus on the war. But their role was pivotal also in creating the image of the war’s end and fi nally, together with a widespread, new literary genre, the war memoirs, to shape the collective memory of the confl ict for the next generations. Even before November 1918, the media raised high expectations for a multifac...
Cet ouvrage est une réédition numérique d’un livre paru au XXe siècle, désormais indisponible dans son format d’origine.