Welcome to our book review site go-pdf.online!
You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
Pierre Bismuth
This volume charts Pierre Bismuth's development through an analytical text, a visual gallery of works and an interview by a renowned art critic.
Pierre Bismuth
None
Pierre Bismuth
None
Pierre Bismuth: Der Kurator, Der Psychoanalytiker und Der Anwalt
This publication comprises two volumes: a booklet accompanying Pierre Bismuth's 2015 solo exhibition at Kunsthalle Wien, and a catalogue raisonné indexing his typically serial and often humorous work of the last three decades, from five-minute paintings of recipe cards from women's magazines (1986-87) to fried-chicken-flavored polyethylene sculptures (2015). Just like the idiosyncratic mix of conceptualism and appropriation refined by Bismuth throughout his career, Things I Remember I Have Done, But Don't Remember Why I Did Them suggests how easily authorship and intentionality can be undermined, even erased--and Bismuth is not exempt from his own treatment. For his exhibition at Kunsthalle...
Notorious
None
Pierre Bismuth
None
Cinéma Cinéma
Cinema Cinema examines the work of 11 artists whose work incorporates aspects of the cinematic experience: Pierre Huyghe, Eija-Lisa Ahtila, Fiona Banner, Christoph Draeger, Douglas Gordon, Joachaim Koester, Julie Becker, Pierre Bismuth, Mark Lewis, Sharon Lockhard, and Christoph Girardet. Referencing famous films, using specific projection and filming techniques, and reflecting on the developed vocabulary of movies -- these artists are continuing to explore the intersection of popular culture and art begun by artists such as Andy Warhol, Ed Ruscha, and John Baldessari. This book contains extensive images and essays devoted to each artist, as well as two introductory pieces giving an overview of film in art.
Social creatures
Social Creatures: How Body Becomes Art presents obsessive kissers and young Iranian girls' dreams; it raises questions about altered ideas of human intimacy, about patterns of order in social structures, and about the meaning of the human being as a commodity. The human image, the view of self that shapes one's frame of action, appears to be in a constant state of flux. The destabilization of cultural, ethnic, and socio-political identities against the background of expanding global orientation is as much a part of this process as the dwindling significance of human labor. Social Creatures: How Body Becomes Art presents a collection of 13 current artistic positions, each of which pursues a different approach to the representation of the human body in photography and video art. With work by Francis Als, Max Baumann, Pierre Bismuth, Jeff Burton, Ghazel, Pierre Huyghe, Ben Judd, Boris Mikhailov, Carlos Nader, Stephen Shore, Santiago Sierra, Gillian Wearing, and Erwin Wurm.
Fare Una Scenata
The phrase Fare una scenata (Making a Scene) commonly designates a public display of emotion--anger, sadness etc.--often involving exaggerated gestures and facial expressions, screaming, possibly violence against objects or people. In any case, there is no scene made without an audience. The idea is to take the cliché serious and explore its layers of meaning as a means to understand the relationship between artistic process and its aftermath in space, object or image, and audience reaction. Isn't there a kind of "unwritten contract" between the artist and his or her audience, regarding what they "deliver," whether it's meant to be entertainment, enlightenment, or estrangement? Curated by f...
The Imaginary Museum: A Personal Tour of Contemporary Art featuring ghosts, nudity and disagreements
Join the art critic Ben Eastham on a private tour of an extraordinary museum. Let him walk you through a building constructed from memory and filled with a series of bewildering art works, while he delivers a guide comprised of personal experience, professional expertise and sympathy.
