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The Place of the Dead
This volume of essays provides a comprehensive treatment of a very significant component of the societies of late medieval and early modern Europe: the dead. It argues that to contemporaries the 'placing' of the dead, in physical, spiritual and social terms, was a vitally important exercise, and one which often involved conflict and complex negotiation. The contributions range widely geographically, from Scotland to Transylvania, and address a spectrum of themes: attitudes towards the corpse, patterns of burial, forms of commemoration, the treatment of dead infants, the nature of the afterlife and ghosts. Individually the essays help to illuminate several current historiographical concerns: the significance of the Black Death, the impact of the protestant and catholic Reformations, and interactions between 'elite' and 'popular' culture. Collectively, by exploring the social and cultural meanings of attitudes towards the dead, they provide insight into the way these past societies understood themselves.
Publish and Perish: The Practice of Censorship in the British Isles in the Early Modern Period
The development of printing practices during Tudor rule led both to the dissemination of religious and secular knowledge, and the development of a legal arsenal to control it. While the vast majority of studies on censorship regard it as being at the origin of the notion of authorship, critics tend to disagree on its actual influence on early modern writings. Who, among the Church and the secular state, were its main supporters? Did it aim at destroying or removing, punishing or protecting, hampering or regulating? Did it propagate a culture of secrecy or, on the contrary, did it help to circulate new ideas and knowledge by controlling them and making them more acceptable to the masses? If t...
Doctrine for the Lady of the Renaissance
First published in 1956, Ruth Kelso's Doctrine for the Lady of the Renaissance is a landmark work that has lived up to its early, laudatory reviews by remaining in demand among scholars of Renaissance studies and of women in the Renaissance. It both offers a comprehensive account of Renaissance views on woman and acknowledges that women were ''in many ways excluded from the freedom and enlightenment characteristic of the period.''This new printing retains the foreword by Katharine Rogers that was added to the 1978 edition.
Encyclopedia of Renaissance Philosophy
Gives accurate and reliable summaries of the current state of research. It includes entries on philosophers, problems, terms, historical periods, subjects and the cultural context of Renaissance Philosophy. Furthermore, it covers Latin, Arabic, Jewish, Byzantine and vernacular philosophy, and includes entries on the cross-fertilization of these philosophical traditions. A unique feature of this encyclopedia is that it does not aim to define what Renaissance philosophy is, rather simply to cover the philosophy of the period between 1300 and 1650.
Devil Theatre
The so-called "Devil Theatre" is here set against its context of non-dramatic texts on possession and exorcism, providing many new insights. Representations of demonic possession and exorcism rituals abound in English Renaissance drama, an area which this book seeks to illuminate by comparison with non-dramatic works. The author investigates stage images of possessionin relation to a range of early modern demonological, theological and medical prose texts on the subject, looking specifically at how the theatre responded to these texts. He argues that the stage appropriated debates over demonicpossession to explore the competing roles of the inner life and the body in early modern definitions of selfhood. The theatre also employed the contemporary controversy over possession and exorcism to investigate the politics ofreligion, and to consider the nature of monarchic power. Moreover, because demonic possession cases and exorcism rituals were frequently dismissed by conformist writers as a piece of theatre, they offered an opportunity to reflecton the nature of drama and role-playing. JAN FRANS VAN DIJKHUIZEN is lecturer and research fellow at the University of Leiden.
Phenomenology of Anxiety
This volume offers a thorough description of anxiety from a phenomenological perspective. Building on Bakhtin’s insights, the author develops the method of “phenomenological polyphony,” which can do justice to the essential ambiguity of anxiety. In this polyphony, the voices of Kierkegaard, Husserl, Freud, Blumenberg, Heidegger, Sartre, Adorno, Derrida and Levinas are particularly recognizable. The book explores new perspectives on the complex relation between anxiety, fear, and trauma with reference to different disciplines, from art history to cultural anthropology, from psychopathology to theology, from literature to political philosophy. When is anxiety justified? When does anxiety...
Spectralities in the Renaissance
Spectralities in the Renaissance explores the history of the idea of ghosts in early modern Europe, moving away from thinking of them as a purely religious phenomenon, but as something rooted in cultural traditions, particularly in times of violence, where the living and the dead were in close proximity. Callard focuses on ancien regime France, to explore how the notion of ghosts and the supernatural played a part in France's early modern past, in such disparate areas as politics, law, natural philosophy, and the cultural and emotional history of everyday life.
The Drama To-day
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Speculations about reincarnation and materialized spirits
The doctrines of Theosophy are simply the faithful echoes of Antiquity. Man is a Unity only at his origin and at his end. But the rabble was the same in every age: superstitious, self-opinionated, materializing every most spiritual and noble idealistic conception and dragging it down to its own low level, and ever adverse to divine philosophy.
Witchcraft, Demonology, and Confession in Early Modern France
Situated at the crossroads of history and literary studies, this book examines confession's place at the heart of French demonology. Drawing on evidence from published treatises, the writings of skeptics such as Montaigne, and the documents from a witchcraft trial, Virginia Krause shows how demonologists erected their science of demons on the confessed experiences of would-be witches.
