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Widely acclaimed as America's greatest living film director, Martin Scorsese is also, some argue, the pre-eminent Italian American artist. Although he has treated various subjects in over three decades, his most sustained filmmaking and the core of his achievement consists of five films on Italian American subjects - Who's That Knocking at My Door?, Mean Streets, Raging Bull, GoodFellas, and Casino - as well as the documentary Italianamerican. In Gangster Priest Robert Casillo examines these films in the context of the society, religion, culture, and history of Southern Italy, from which the majority of Italian Americans, including Scorsese, derive. Casillo argues that these films cannot be ...
This book shows how the seemingly immutable Tuscan landscape was largely shaped by modern conflicts over economic resources and cultural meanings.
"A further specification regarding the role of tradition in a changing world was added and thus was identified the core topic of a conference held in Galway (2004), where a multidisciplinary team met to share concerns and outline research methods. This book has emerged from that occasion of interdisciplinary dialogue: philosophy, history, performing arts, literature, religion, education, linguistics, folklore and European ethnology, meet here to offer a wide range of scholarly interests and map some of the ways in which it is possible to engage with the frontier between past and present."--Back cover.
World War I marks a well-known turning point in anthropology, and this volume is the first to examine the variety of forms it took in Europe. Distinct national traditions emerged and institutes were founded, partly due to collaborations with the military. Researchers in the cultural sciences used war zones to gain access to »informants«: prisoner-of-war and refugee camps, occupied territories, even the front lines. Anthropologists tailored their inquiries to aid the war effort, contributed to interpretations of the war as a »struggle« between »races«, and assessed the »warlike« nature of the Balkan region, whose crises were key to the outbreak of the Great War.
Due to its internationality and interdisciplinarity, the International Oral History Association (IOHA), which was founded in the late 1970's, is one-of-a-kind in the academic landscape. Driven by the desire to democratize historical scholarship, its members wanted to "give a voice" to groups such as women, workers, migrants, or victims of political dictatorships who had not been heard up to that point. The contributions deal with the academic approaches and the political convictions of the previous generation.
Provides an unrivelled overview of intellectual development in anthropology.
On the Edge of Democracy examines the emergence of democracy in Italy in the wake of World War Two. It examines the nature of the democracy forged in the liminal period after Benito Mussolini, the Duce of Fascism, was removed from government in the summer of 1943. Instead of pouring through institutional accounts, which root the origins of democracy in the establishment of parties and in electoral outcomes, Forlenza focuses on the lived experiences of ordinary people and elites in extraordinary times. Meanings of democracy are not variations of a universal model but emerge as contingent interpretative acts and a symbolization following political and existential crisis under condition of viol...
Macedonia has been contested by its three neighbours – Serbia, Bulgaria and Greece – during and since the demise of the Ottoman Empire. But the Macedonian Question extends far beyond the contested borders of Macedonia to immigrant communities in Europe, Australia and North America. The contributors to this collection explore the contemporary repercussions of the Macedonian Question, which has long been at the heart of Balkan politics. The volume recognises Macedonia as a global issue, and focuses on the politics of identity and difference in both homeland and diaspora.The contributors argue that Macedonia as place and as concept is forged within a transnational network of diasporas, loca...
For over a quarter of a century Siegbert Uhlig has been involved in Ethiopian Studies. As wide as the scope of his interests and contributions to Ethiopian Studies has been, so versatile is the thematic range of the 36 articles in this anthology. The essays in fields such as philology, history, linguistics, anthropology and arts were written by the ethiopisants from Ethiopia, Germany, Israel, Italy, the Netherlands, Poland, Russia, Sweden, Thailand, the United Kingdom and the USA. The Festschrift also includes an account of Ethiopian Studies in Hamburg, and a selected bibliography of Siegbert Uhlig's publications. An index to the contributions of the collection will be made available on the internet.List of contributors: L. Gerhardt, J. Abbink, H. Amborn, D. Appleyard, B. Zewde, B. Tafla, E. Balicka-Witakowska, A. Bausi, B. Yimam, V. Boll, S. Chernetsov, G. Fiaccadori, G. Haile, G. Gelaye, M. Heldman, O. Kapeliuk, S. Kaplan, M. Kleiner, J. Launhardt, G. Lusini, P. Marrassini, A. Martinez, S. Munro-Hay, D. Nosnitsin, R. Pankhurst, H. Rubinkowska, H. Scholler, S. Bekele, W. Smidt, E. Sokolinskaia, E.J. van Donzel, R. Voigt, E. Wagner, S. Weninger, W. Witakowski, R. Zuurmond, T. Ra