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El Prado
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Painting in Spain
El Greco, Ribera, Velázquez, Murillo--these are but a few of the great sixteenth- and seventeenth-century artists of Spain's golden age of painting. In this authoritative and handsome book, an enlarged, extended, and revised version of his Golden Age of Painting in Spain, eminent Spanish art scholar Jonathan Brown surveys the development of painting in Spain during this fascinating period. Focusing on the interaction between art and the socioeconomic and political conditions that prevailed in Spain's golden age, this book offers information about religious beliefs, social attitudes, the activities of patrons and collectors, and how these were absorbed and interpreted by painters. The author...
Robert Motherwell
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COOL PAINTING
La magia de la pintura ha estado siempre presente a lo largo de nuestra historia, actuando como fiel narradora y espejo de esta, y reflejando las inquietudes y sueños de la sociedad de cada momento. Infinidad de técnicas y estilos diferentes, que van desde el más puro realismo hasta el simbolismo, la abstracción, o el expresionismo... han sido útil herramienta para todos aquellos artistas que con sus obras, han conseguido y consiguen, elevar al máximo la sensibilidad de nuestros sentidos al contemplarlas. Cada obra de pintura se convierte en un modo de expresión por sí misma, nos encontramos en un momento en el que gozamos de una libertad creativa total y estamos expuestos a una gran cantidad de información visual. De manera que lo multidisciplinar, la sencillez de trazos, la mezcla de texturas y la experimentación de estilos y técnicas, son un constante en los trabajos de cada autor.
Pintura
-- When a youngster says "there's nothing to do, " just hand him or her one of these jam-packed activity books. -- Great ideas and easy how-to instructions keep kids busy having fun with paper and paint.
Pintura puertorriqueña
This catalogue is a compilation of paintings (particularly from painters José Campeche y Jordán (1751-1809) and Francisco Manuel Oller y Cestero (1833-1917)) part of the vast collection of art that the ICP has treasured for more than a century, since its foundation in 1955. "Beginning with the first acquisition through the purchase of a work by José Campeche in February of 1959 and up to the last two works acquired in 1977, the Institute has gathered about twenty-four pieces of unique testimonial value in more than one case. With this number, it surpasses the best-known series until then: the Campeche canvases in the Archbishop's palace in San Juan, of which there are twenty."--P. xiii. Includes several essays by well-known Puerto Rican art historians and curators.
