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Find out how Ki-pat the herd boy ended a dreadful drought. An enjoyable and vividly illustrated rhyming story.
The Necklace has been around for centuries, and when Max learns that two members are attending a Burning Man like festival in the Southwest, he and his girlfriend Pam see a chance to strike their next blow for freedom.
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Suicide or murder? DI Ford is sure there's a killer to catch, but time is running out. A young female soldier is found on Salisbury Plain, her throat cut and a bloody knife in her dead hand. Everyone assumes that she killed herself. But something doesn't feel right to DI Ford; the whole scene seems staged. Convinced of foul play, and despite fierce opposition from the army brass and his own superiors, Ford launches a murder investigation. Years on from his wife's death, Ford is still struggling with guilt and whether or not to tell his son the truth about what really happened. When his CSI partner confronts him about the tragedy, he knows he has to confess sooner or later. But the living can wait; the dead are calling. With the victim's regiment due to deploy to Somalia, taking any suspects and evidence with them, Ford has just days to apprehend the killer. His career on the line and his relationship with his son in the balance, Ford has to work fast if he is going to bring justice to the dead--and closure to the living.
In plain language, this book tells you how to manage your grief following a life changing loss. It tells you what to expect in the coming weeks, months and years. Your grief is unique. Nobody has ever grieved like you are doing, so this is a guide to support you in your journey, not a method for you to follow. If you are reading this because you are grieving a loss, then most likely a person close to you has died. However, this book can help with other difficult losses. Loss of a job, of health, of a friendship or an intimate relationship, are just some of the losses that we grieve. 'Loved one' can refer to a pet too.The plain and simple language of the book is important when your loss is ne...
Join the wonderfully funny and utterly endearing Mary Plain and her family and friends in her first ever adventure!Mary Plain is an orphan who lives with her relatives in the bear pits at Berne Zoo, Switzerland. A delightful but rather unusual bear, with a huge personality and an appetite to match, you never quite know what escapades she'll get up to next!Gwynedd Rae's enchanting Mary Plain stories have an enduring, timeless appeal and Clara Vulliamy's fresh, funny and energetic illustrations will introduce Mary Plain and friends to a whole new generation of readersThe original text is lovingly reproduced in this hardback foiled edition, with brand-new black and white artwork by renowned illustrator Clara Vulliamy, including a new heart-warming introduction from Clara Vulliamy about what the books mean to her.
A COMPILATION OF "PLAIN WORDS" AND "THE ABC OF PLAIN WORDS", THIS IS A CLEAR AND CONCISE GUIDE TO ENGLISH GRAMMAR AND COMPOSITION.
A wonderfully funny whirlwind adventure, full of madcap mishaps and misunderstandings, as Mary Plain goes on her first ever 'svisit' and ends up as Berne's most famous bear! Join Mary, who in her own words is 'an unusual first-class bear', as she tries all sorts of new things, including eclairs, cream buns, going on buses, aeroplanes, boats, taxis and even winning first prize at a show, all in the company of her long suffering-friend, the Owl Man.Gwynedd Rae's enchanting Mary Plain stories have an enduring, timeless appeal and Clara Vulliamy's fresh, funny and energetic illustrations will introduce Mary Plain and friends to a whole new generation of readers. The original text is lovingly reproduced in this hardback foiled edition, with brand-new black and white artwork by renowned illustrator Clara Vulliamy, including a new heart-warming introduction from Clara Vulliamy about what the books mean to her
Plain ugly examines depictions of physically repellent characters in a striking range of early modern literary and visual texts, offering fascinating insights into the ways in which ugliness and deformity were perceived and represented, particularly with regard to gender and the construction of identity. The book focuses closely on English literary culture but also engages with wider European perspectives, drawing on a wide array of primary sources including Italian and other European visual art. Offering illuminating close readings of texts from both high and low culture, it will interest scholars in English literature, cultural studies, women's studies, history and art history, as well as postgraduate and undergraduate students in these disciplines. As an accessible and absorbing account of the power dynamics informing depictions of ugliness (and beauty) in relation to some of the quirkiest literary and visual material to be found in early modern culture, it will also appeal to a wider audience.