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Annotation. Fully colour-illustrated travel guides packed with information on the history and culture of a destination.
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Challenging myths that mountain isolation and ancient folk customs defined the music culture of the Polish Tatras, Timothy J. Cooley shows that intensive contact with tourists and their more academic kin, ethnographers, since the late 19th century helped shape both the ethnic group known as Górale (highlanders) and the music that they perform. Making Music in the Polish Tatras reveals how the historically related practices of tourism and ethnography actually created the very objects of tourist and ethnographic interest in what has become the popular resort region of Zakopane. This lively book introduces readers to Górale musicians, their present-day lives and music making, and how they nav...
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The geographic isolation of Podhale, the Tatra Mountain region in Southern Poland, contributed to the preservation of the Polish language of those days when all Slavic languages, coming from the same source, differed less from each other. Dictionary with an appendix of some sayings and riddles.
Up-to-the-minute accounts of all the sights from the fast-changing cities of Warsaw and Krakow to the laid back lakeside resort of Mazuria. Critical reviews of restaurants, bars and accommodation in every price range. Extensive coverage of the countryside from Slow'inski National Park's sand dunes to the alpine Tatra mountains, with practical advice on how to explore them.
This study of Polish folk music is especially enlightening as it reveals both the history and practice of a musical tradition and offers an illuminating view of a culture and its social activities. Within her study, Anna Czekanowska analyses the vocal and instrumental traditions of Polish folk music, tracing the background history, the influences of geography and politics, and the practice, often within contemporary society, of such social events as the harvest, the solstice and weddings. The function of folk culture within contemporary life, for both Polish and non-Polish inhabitants of the country, is also examined. Professor Czekanowska also discusses the birth of Polish ethno- musicology as a discipline and details some methodological aspects for research. This study contributes to a greater understanding and appreciation of Polish music and, in a wider aspect, of Slavonic culture. The book contains numerous illustrations of instruments and cultural events, music examples, maps, a discography and bibliography.