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American Political Poetry in the 21st Century
Dowdy uncovers and analyzes the primary rhetorical strategies, particularly figures of voice, in American political poetry from the Vietnam War-era to the present. He brings together a unique and diverse collection of poets, including an innovative section on hip hop performance.
Exquisite Politics
The French Surrealists invented a game called "Exquisite Corpse" to write collaborative poems, and thus the title of Denis Duhamel and Maureen Seaton's new collection, Exquisite Politics, hints at its collaborative nature. In poems that speak at times in a breezy, conversational style, and at other moments with taut intensity, Duhamel and Seaton probe the mysteries of relationships, personal histories, and issues of sexual and political identity.
Poems for the Nation
Throughout the last year and a half of his life, Allen Ginsberg phoned many of his poet friends to ask if they had any social verses opposing America's rightwing drift or otherwise speaking their current political minds. This volume presents the perceptive and visionary poems that Ginsberg collected (with selections based on his notes), and also includes writings from contributors to "Planet News," an historic tribute to Allen Ginsberg that was held at New York City's St. John the Divine Cathedral in May 1998.
Ethics and Politics in Modern American Poetry
The relationship between ethics, politics, and poetics is here examined by Wrighton, in the study of twentieth-century experimental American poetry. Relying upon the ethical philosophy of Emmanuel Levinas, Wrighton charts the development of ethical praxis in experimental work from the Objectivists of the 1920s, through to detailed analysis of the Black Mountain and Beat writers of the post-war era, and the post-Vietnam "Language" poets. The poetic projects engaged -- including work from Charles Olson, Gary Snyder, Allen Ginsberg, Jerome Rothenberg, and Bruce Andrews -- are shown to be oppositional to the dominant political discourses of their time, re-imagining notions of democracy and community where an ontological abuse has been manifest in totalizing ideologies.
Poetry Wars
The pen was as mighty as the musket during the American Revolution, as poets waged literary war against politicians, journalists, and each other. Drawing on hundreds of poems, Poetry Wars reconstructs the important public role of poetry in the early republic and examines the reciprocal relationship between political conflict and verse.
The Dangers of Poetry
Poetry has long dominated the cultural landscape of modern Iraq, simultaneously representing the literary pinnacle of high culture and giving voice to the popular discourses of mass culture. As the favored genre of culture expression for religious clerics, nationalist politicians, leftist dissidents, and avant-garde intellectuals, poetry critically shaped the social, political, and cultural debates that consumed the Iraqi public sphere in the twentieth century. The popularity of poetry in modern Iraq, however, made it a dangerous practice that carried serious political consequences and grave risks to dissident poets. The Dangers of Poetry is the first book to narrate the social history of po...
Not Me
This brilliant, incisive volume captures the high points of Myles' work in New York City during the 1980s. Listen, I have been educated. I have learned about Western Civilization. Do you know What the message of Western Civilization is? I am alone. This breakthrough volume, published in 1991 by the author of Cool For You and Chelsea Girls captures the high points of Myles' work in New York City during the 1980s. Poet, novelist, lesbian culture hero and one-time presidential candidate, Myles has influenced a whole generation of young queer girl writers and activists. She is one of the most brilliant, incisive, immediate writers living today.
Baal and the Politics of Poetry
Baal and the Politics of Poetry provides a thoroughly new interpretation of the Ugaritic Baal Cycle that simultaneously inaugurates an innovative approach to studying ancient Near Eastern literature within the political context of its production. The book argues that the poem, written in the last decades of the Bronze Age, takes aim at the reigning political-theological norms of its day and uses the depiction of a divine world to educate its audience about the nature of human politics. By attuning ourselves to the specific historical context of this one poem, we can develop more nuanced appreciation of how poetry, politics, and religion have interacted—in antiquity, and beyond.
Don't Call Us Dead
*WINNER OF THE FORWARD PRIZE FOR BEST COLLECTION 2018* *A Finalist for the National Book Award for Poetry 2017* *A Financial Times and Telegraph Book of the Year 2018* ‘[Smith’s] poems are enriched to the point of volatility, but they pay out, often, in sudden joy’ The New Yorker Award-winning poet Danez Smith is a ground-breaking force, celebrated for deft lyrics, urgent subjects, and performative power. Don’t Call Us Dead opens with a heartrending sequence that imagines an afterlife for black men shot by police, a place where suspicion, violence, and grief are forgotten and replaced with the safety, love and longevity they deserved here on earth. Smith turns then to desire, mortality – the dangers experienced in skin and body and blood – and an HIV-positive diagnosis. ‘Some of us are killed / in pieces,’ Smith writes, ‘some of us all at once.’ Don’t Call Us Dead is an astonishing and ambitious collection, one that confronts, praises, and rebukes an America where every day is too often a funeral and not often enough a miracle.
The Poetry of the Americas
The Poetry of the Americas provides an expansive history of relations between poets in the US and Latin America over three decades, from the Good Neighbor diplomacy of World War II to 1960s Cold War cultural policy.
