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Margaret Plant presents a wide-ranging cultural history of the city from the fall of the Republic in 1797, until 1997, showing how it has changed and adapted and how perceptions of it have shaped its reality.
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This collection of essays on centuries of culture and politics is “likely to become a landmark in Venetian historiography” (The Historical Journal). Venice Reconsidered offers a dynamic portrait of Venice from the establishment of the Republic at the end of the thirteenth century to its fall to Napoleon in 1797. In contrast to earlier efforts to categorize Venice’s politics as strictly republican and its society as rigidly tripartite and hierarchical, the scholars in this volume present a more fluid and complex interpretation of Venetian culture. Drawing on a variety of disciplines—history, art history, and musicology—these essays present innovative variants of the myth of Venice—that nearly inexhaustible repertoire of stories Venetians told about themselves.
The essays in Nationalizing Empires challenge the dichotomy between empire and nation state that for decades has dominated historiography. The authors center their attention on nation-building in the imperial core and maintain that the nineteenth century, rather than the age of nation-states, was the age of empires and nationalism. They identify a number of instances where nation building projects in the imperial metropolis aimed at the preservation and extension of empires rather than at their dissolution or the transformation of entire empires into nation states. Such observations have until recently largely escaped theoretical reflection.
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Reproduction of the original: Critical Studies by Louise de la Ramée
The power of legend is that it is never simply an old tale retold. Though the legend may be old, its meaning and influence is new in each retelling and for each new group of listeners.Young provides here a "biography" of the greatest of the classical legends, the story of the fall of Troy. As he states in his book, the greatness of the legend does not depend on its relation to historical reality, but "lies rather in the beauty and variety it has called out of the creative imaginations of artists, from Homer down to modern times, artists who with varied skill and in many forms have expressed their individual genius." Young's text is beautifully illustrated with examples of art inspired by the...
What did it mean to be a woman in sixteenth-century Venice? How did women impact the everyday life of this brilliant, festive, but essentially patriarchal city? How did an educated, sensitive, and intelligent woman writer of the Venetian citizen class treat the question of gender relationships and of women's place in society? These questions are at the center of this volume, which explores the role of Venetian women in sixteenth-century culture as well as the contribution of the writer Moderata Fonte to the centuries-old war of the sexes.