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Kannagi Through the Ages
Kannagi and Silappatikaram are important parts of the cultural landscape of Tamil Nadu-the story has been told in many genres of literature and continues to be told. Every narrative, however, carries the imprint of the times it was released in. Kannagi through the Ages: From the Epic to the Dravidian Movement aims to understand the ways in which representations of Kannagi in the epic Silappatikaram differ in every new narrative. Looking at the portrayals of Kannagi in plays, commentaries and folk narratives, the book examines how representations of gender and culture have evolved over time. Focusing on the interrelationships between a text and a society as well as between society and the way it moulds the category of 'woman' at different times through symbols and icon, the author analyses the social, cultural and political processes that contributed to the emergence of Kannagi as an icon of Tamil culture and epitome of Tamil womanhood.
Azadi
Life in Sialkot goes on with a hum, until the fateful news arrives, like smoke it lingers and begins to settle into homes that have sheltered generations. Within days reality dawns, terrible passions are unleashed, and lives are rent asunder. In Chaman Nahal's intense novel one encounters the full force of the great tragedy of Partition.
The Gods of Glass
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AKASHVANI
"Akashvani" (English) is a programme journal of ALL INDIA RADIO, it was formerly known as The Indian Listener.It used to serve the listener as a bradshaw of broadcasting ,and give listener the useful information in an interesting manner about programmes, who writes them,take part in them and produce them along with photographs of performing artists. It also contains the information of major changes in the policy and service of the organisation. The Indian Listener (fortnightly programme journal of AIR in English) published by The Indian State Broadcasting Service, Bombay, started on 22 december, 1935 and was the successor to the Indian Radio Times in english, which was published beginning in...
FinTech for Billions
What does it mean to be financially included? Does having an Aadhaar, a Jan Dhan account and a phone make one financially included? Is rural India able to access financial products and institutions comfortably? Is the Fintech revolution actually here? The biggest problem with fintech in India is that the full potential of financial technology and policy is not really reaching the poorest of the poor. Thoroughly researched and expertly written, FinTech for Billions reveals why many of the existing solutions have faltered and fumbled along their path to inclusion. But things are not without hope. Through meticulous research across India - from towns in Rajasthan to villages in Goa, from hamlets in Odisha to districts in Telangana and Himachal Pradesh -- this book offers simple, human and ubiquitous solutions that can transform the lives of people at the bottom of the pyramid.
AKASHVANI
"Akashvani" (English) is a programme journal of ALL INDIA RADIO, it was formerly known as The Indian Listener. It used to serve the listener as a bradshaw of broadcasting ,and give listener the useful information in an interesting manner about programmes, who writes them, take part in them and produce them along with photographs of performing artists. It also contains the information of major changes in the policy and service of the organisation. The Indian Listener (fortnightly programme journal of AIR in English) published by The Indian State Broadcasting Service, Bombay, started on 22 December, 1935 and was the successor to the Indian Radio Times in English, which was published beginning ...
Truth Tales
   The rich popular tradition of India's women writers is finally available in this collection of short stories translated from seven of the country's languages. The writers and their heroines reflect the complex mosaic of Indian life-they are old and young, rural and urban, rich and poor. Here we meet Muniyakka, called "walkie-talkie" because she mutters to herself; Shakun, the dollmaker, an exploited artist who needs to feel that others depend on her; and Jashoda, professional mother to children of the rich, from Mahasveta Devi's acknowledged masterpiece "The Wet Nurse." These stories "are dense with thsoe customs, manners, and objects that usually remain locked within regional languages," wrote Anita Desai in the New York Review ofBooks . Meena Alexander's thoughtful introduction places the stories and the writers in the context of modern India.
Government Gazette
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