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The Whirligig of Time
Zdenek Stribrny, an internationally respected Shakespeare scholar, was Professor of English and American Studies at Charles University, Prague, until the Russian occupation of 1968. He was reinstated after the Velvet Revolution of 1989. This volume, prefaced by a new autobiographical introduction, collects papers on Shakespeare, most of which were written originally in English, from various periods of his eventful career. Their two main themes are the role of Time and the Czech critical and theatrical response to Shakespeare, with special emphasis on the various ways in which, during an era of censorship, productions offered coded political readings of the plays. Zdenek Stribrny is Professor Emeritus of English and American Studies at Charles University, Prague. Lois Potter is Ned B. Allen Professor of English at the University of Delaware.
Czechoslovakia
This book, the most thoroughly researched and accurate history of Czechoslovakia to appear in English, tells the story of the country from its founding in 1918 to partition in 1992—from fledgling democracy through Nazi occupation, Communist rule, and invasion by the Soviet Union to, at last, democracy again.The common Western view of Czechoslovakia has been that of a small nation that was sacrificed at Munich in 1938 and betrayed to the Soviets in 1948, and which rebelled heroically against the repression of the Soviet Union during the Prague Spring of 1968. Mary Heimann dispels these myths and shows how intolerant nationalism and an unhelpful sense of victimhood led Czech and Slovak authorities to discriminate against minorities, compete with the Nazis to persecute Jews and Gypsies, and pave the way for the Communist police state. She also reveals Alexander Dubcek, held to be a national hero and standard-bearer for democracy, to be an unprincipled apparatchik. Well written, revisionist, and accessible, this groundbreaking book should become the standard history of Czechoslovakia for years to come.
Forging Political Compromise
Historians have long claimed Czechoslovakia between the world wars as an island of democracy in a sea of dictatorships. The reasons for the survival of democratic institutions in the Czechoslovak First Republic, with its profound divisions, have never been fully explained, partly because for years critical research was thwarted by the communist state. Drawing on information from European archives, Miller pieces together the story of the party and its longtime leader, Antonin Svehla— the "Master of Compromise," who had an extraordinary capacity to mediate between political parties, factions, and individual political leaders. Miller shows how Svehla's official and behind-the-scenes activities in the parliament provided the new state with stability and continuity.
Preachers, Partisans, and Rebellious Religion
In early fifteenth-century Prague, disagreements about religion came to be shouted in the streets and taught to the laity in the vernacular, giving rise to a new kind of public engagement that would persist into the early modern era and beyond. The reforming followers of Jan Hus brought theological learning to the people through a variety of genres, including songs, poems, tractates, letters, manifestos, and sermons. At the same time, university masters provided the laity with an education that enabled them to discuss contentious issues and arrive at their own conclusions, emphasizing that they held the freedom to make up their own minds about important theological issues. This marketplace o...
The Czechoslovak Contribution to World Culture
No detailed description available for "The Czechoslovak Contribution to World Culture".
Women in Nineteenth-Century Czech Musical Culture
This volume focuses on the circumstances of women’s music-making in the vibrant and diverse environment of the Czech lands during the nineteenth century. It sheds light on little-known women musicians, while also considering more well-known works and composers from new woman-centric perspectives. It shows how the unique environment of Habsburg Central Europe, especially Bohemia and Lower Austria, intersects with gender to reveal hitherto unexplored networks that challenge the methodological nationalism of music studies as well as the discipline’s continued emphasis on singular canonical figures. The main areas of enquiry address aspects of performance and identity both within the Czech lands and abroad; women’s impact on social life with a view to different private, semiprivate, and public contexts and networks; and compositional aesthetics in musical works by and about women, analysed through the lens of piano works, song, choir music, and opera, always with the reception of these works in mind.
Premodern History and Art through the Prism of Gender in East-Central Europe
Premodern History and Art through the Prism of Gender in East-Central Europe is a representative collection of current Czech research in premodern history and art history, using gender as a tool of analysis. The common denominators of the texts collected in this volume are the art history of the premodern period, gender perspectives, and, to a certain degree, the Czech milieu. The book is divided into four parts, based on area of interest, time frame, and research perspective. The first part sheds light on the state of research in the field of women's history—along with the implementation of the concept of gender—and highlights a certain paradigmatic conservatism of Czech art historiography. The second gathers contributions that analyze visual sources of Czech origin. The third includes texts that analyze gender issues on the level of literary representation. The final part presents two case studies that involve analysis of the premodern West European source base. Rywiková and Malaníková present this volume as an innovative way to introduce this specific segment of Central European art history to a broader audience in global academia.
Rome Convention - Rome I Regulation
As of 17 December 2010, the Rome I Regulation (EU Regulation 593/2008) on the law applicable to contractual obligations is directly applicable in all EU Member States with the exception of Denmark. The Rome I Regulation replaces the Rome Convention of 1980 in the EU Member States and will apply to all contracts concluded as of 17 December 2010. However, and herein lies the utility and great importance of this work, the Rome Convention and the Rome I Regulation will be applied in parallel for a significant time to come (the author himself anticipates a ten-to-fifteen year period); in the latter case to contracts made after 17 December, 2010. This is why this commentary takes into account both...
Adapting Chekhov
This book considers the hundred years of re-writes of Anton Chekhov's work, presenting a wide geographical landscape of Chekhovian influences in drama. The volume examines the elusive quality of Chekhov's dramatic universe as an intricate mechanism, an engine in which his enigmatic characters exist as the dramatic and psychological ciphers we have been de-coding for a century, and continue to do so. Examining the practice and the theory of dramatic adaptation both as intermedial transformation (from page to stage) and as intramedial mutation, from page to page, the book presents adaptation as the emerging genre of drama, theatre, and film. This trend marks the performative and social practic...
National Cleansing
National Cleansing examines the prosecution of more than one-hundred thousand suspected war criminals and collaborators by Czech courts and tribunals after the Second World War. As the first comprehensive history of postwar Czech retribution, this book provides a new perspective on Czechoslovakia's transition from Nazi occupation to Stalinist rule in the turbulent decade from the Munich Pact of September 1938 to the Communist coup d'état of February 1948. Based on archival sources that remained inaccessible during the Cold War, National Cleansing demonstrates retribution's central role in the postwar power struggle and the contemporary expulsion of the Sudeten Germans.
