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African Oral Literature
Throughout Africa, oral literature is flourishing, though it is perceived by some as anachronistic to the modern world. This work refutes this idea in its entirety by presenting 22 chapters, which firmly place the study of oral literature within contemporary African existence. The study analyzes how oral literature relates to media, music, technology, text, gender, religion, power, politics and globalization.
Ethnicity, Gender and the Subversion of Nationalism
This volume explores the politics of identity by analysing the intersections between ethnicity, gender and nationalism in developing societies. These markers of identity are not understood as constituting essences, but as springing from people's core experiences, yearnings and strategic life plans in a context where resources are scarce. As such, identities may be, and are, contested. The intersections are traced across three areas: social and cultural reproduction; ideologies, stereotypes and practices; and nationalist politics and discourse which has tended to remove women from the public arena and construct an ideal of women's domesticity.
Marxism in a Lost Century
Marxism in a Lost Century retells the history of the radical left during the twentieth century through the words and deeds of Paul Mattick. An adolescent during the German revolutions that followed World War I, he was also a recent émigré to the United States during the 1930s Great Depression, when the unemployed groups in which he participated were among the most dynamic manifestations of social unrest. Three biographical themes receive special attention -- the self-taught nature of left-wing activity, Mattick’s experiences with publishing, and the nexus of men, politics, and friendship. Mattick found a wide audience during the 1960s because of his emphasis on the economy’s dysfunctional aspects and his advocacy of workplace councils—a popularity mirrored in the cyclical nature of the global economy.
Versions of Zimbabwe. New Approaches to Literature and Culture
The book is the result of a collaboration of scholars from southern Africa and overseas, whose work emphasises hitherto overshadowed subjects of literature, exposing new and untried approaches to Zimbabwean writing. The contributors focus on pluralities, inclusiveness and the breaking of boundaries, and elucidate how literary texts are betraying multiple versions and opinions of Zimbabwe, arguing that only a multiplicity of opinions on Zimbabwe can do the complexity of the society and history justice.
New Approaches to the Comparative Abolition in the Atlantic and Indian Oceans
Taking the theme of 'abolition' as its point of departure, this book builds on the significant growth in scholarship on unfree labour in the Atlantic and Indian Ocean worlds during the past two decades. The essays included here revisit some of the persistent problems posed by the traditional comparative literature on slavery and indentured labour and identify new and exciting areas for future research. This book is intended for a broad audience, including scholars, students as well as for a general readership who have specific interests in the history of the slave trade, slavery and imperial history. It was originally published as a special issue of the journal, Atlantic Studies: Global Currents.
Gendered Violence in Public Spaces
Gendered Violence in Public Spaces: Women’s Narratives of Travel in Neoliberal India examines the vulnerability of women in public spaces in India through an analysis of narrative representations ranging from emerging digital media, commercial Hindi films, and graphic narratives to accounts of real and lived experiences of women. In doing so, this collection initiates a scholarly discussion on manifold forms of emotional, mental, epistemic, and above all sexual violence female travelers face in male-dominated public spaces. Gendered Violence in Public Spaces therefore challenges contemporary readers to re-frame India’s public spaces against misogyny and gendered violence.
Theatre from Rhodesia to Zimbabwe
The voices that are represented in this collection come from various parts of the world and express the views of practitioners and scholars who have all had first-hand experience working in Zimbabwean theatre from the last days of Rhodesia to Zimbabwe. The collection views the long continuum of developments in local theatre history as a case of the intrusive hegemonies that came with colonial Rhodesia as a conquest society, and localised identities in the form of the persistence of indigenous and syncretic popular forms. With time, all these came together to constitute the makings of a contested post-colony in contemporary theatre practice in Zimbabwe. The primary interest of scholars who are represented here is located at the intersection of political, cultural and performative discourses and the flow of Zimbabwean history. The focus, moreover, is not only on the history of performance cultures in postcolonial Zimbabwe - it extends its critical gaze to include the history of political ideas that gave rise to cultural contestation in the field of theatre and performance.
Narrative Values, the Value of Narratives
There is a growing interest in studying narrative discourse as ‘experimental values laboratory,’ both reflecting social values and participating in their circulation. Given the omnipresence of narrative and story-telling practices in public life, from advertising to politics, law, and the media, the need for narrative savviness – that is, the ability to read for the values that inhere in and are transmitted through narrative – transcends the study of fiction. This volume brings into focus the ways in which narratives are informed and shaped by values, and how they transmit values themselves. The authors in the volume take a broad range of approaches to narrative, including narratology, rhetoric, ecocriticism, narrative (meta)hermeneutics, applied narratology, and frame theory. By bringing together strands of contemporary narrative theory that are not often found in dialogue with one another, the volume aims to capture the most recent developments in the study of narrative ethics.
Sure Road? Nationalisms in Angola, Guinea-Bissau and Mozambique
This book brings together new research on the subject of nations and nationalisms in Angola, Guinea-Bissau and Mozambique. It explores the history and politics of diverse nationalist discourses and ideologies, and it revisits the formation and contemporary developments of national imagined communities in Portuguese-speaking Africa. It does so by drawing on several disciplines and by exploring themes as diverse as Frelimo’s liberation literature, UNITA’s moral economy and the disaggregation of Guinea-Bissau. The authors provide novel insights in the hope of contributing to the academic and public debate on the subject, not least in those countries where, in the face of liberalisation, ruling parties and their opponents have been arguing intensively over, and have sometime struggled to re-invent, a sense of national community. Through their engagement with the subject, authors also make a contribution to the general discussion of the concepts of nations and nationalism.
Zimbabwe's New Diaspora
Zimbabwe’s crisis since 2000 has produced a dramatic global scattering of people. This volume investigates this enforced dispersal, and the processes shaping the emergence of a new "diaspora" of Zimbabweans abroad, focusing on the most important concentrations in South Africa and in Britain. Not only is this the first book on the diasporic connections created through Zimbabwe’s multifaceted crisis, but it also offers an innovative combination of research on the political, economic, cultural and legal dimensions of movement across borders and survival thereafter with a discussion of shifting identities and cultural change. It highlights the ways in which new movements are connected to older flows, and how displacements across physical borders are intimately linked to the reworking of conceptual borders in both sending and receiving states. The book is essential reading for researchers/students in migration, diaspora and postcolonial literary studies.
