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Far-Flung Families in Film
This book fills this gap and provides an essential resource for academics and researchers with an interest in cinematic representations of the family and transnational cinema.
Exotic Cinema
A critical reassessment of the aesthetic strategies and cultural value of exoticism in contemporary transnational cinemas.
Head-On (Gegen die Wand)
When Head-On (Gegen die Wand, 2004) won the Golden Bear at the Berlin International Film Festival, it was hailed as a turning point for German cinema. Not only was this unconventional love story the first German film in eighteen years to win the prestigious award, but the success of writer-director Fatih Akin was also celebrated as the revival of German auteur cinema. Meanwhile Turkey claimed Akin as its own prodigal son and his film a victory for Turkish cinema. Daniela Berghahn provides a detailed and entertaining account of the film's artistic inspirations, its production history and the debates that surrounded it in the German and Turkish press. Arguing that much of the media discourse on Turkish German identity politics detracted from Akin's remarkable artistic achievement, Berghahn instead situates Head-On in the critical contexts of global art cinema and transnational melodrama. This comparative approach excavates new layers of meaning and offers highly original insights into Akin's landmark film.
European Cinema in Motion
This collection brings together international experts on the cinema of migration and diaspora in postcolonial and postnational Europe. It offers a comprehensive theoretical and analytical discussion of a highly productive creative sector and documents the spectrum of this area of exploration in European, transnational and World Cinema studies.
Screening the East
Screening the East considers German filmmakers’ responses to unification. In particular, it traces the representation of the East German community in films made since 1989 and considers whether these narratives challenge or reinforce the notion of a separate East German identity. The book identifies and analyses a large number of films, from internationally successful box-office hits, to lesser-known productions, many of which are discussed here for the first time. Providing an insight into the films’ historical and political context, it considers related issues such as stereotyping, racism, regional particularism and the Germans’ confrontation with the past.
Turkish German Cinema in the New Millennium
Introduction -- CONFIGURATIONS OF STEREOTYPES AND IDENTITIES: NEW METHODOLOGIES. Daniela Berghahn: My big fat Turkish wedding: from culture clash to romcom -- David Gramling: The oblivion of influence: mythical realism in Feo Alada's When we leave -- Marco Abel: The minor cinema of Thomas Arslan: a prolegomenon -- MULTIPLE SCREENS AND PLATFORMS: FROM DOCUMENTARY AND TELEVISION TO INSTALLATION ART. Angelica Fenner: Roots and routes of the diasporic documentarian: a psychogeography of Fatih Akin's We forgot to go back -- Ingeborg Majer-O'Sickey: Gendered kicks: Buket Alakus's and Aysun Bademsoy's soccer films -- Nilgan Bayraktar: Location and mobility in Kutlu Ataman's site-specific video inst...
Re-Imagining DEFA
By the time the Berlin Wall collapsed, the cinema of the German Democratic Republic—to the extent it was considered at all—was widely regarded as a footnote to European film history, with little of enduring value. Since then, interest in East German cinema has exploded, inspiring innumerable festivals, books, and exhibits on the GDR’s rich and varied filmic output. In Re-Imagining DEFA, leading international experts take stock of this vibrant landscape and plot an ambitious course for future research, one that considers other cinematic traditions, brings genre and popular works into the fold, and encompasses DEFA’s complex post-unification “afterlife.”
Imaginaries Out of Place
“As new geographies of mobility and hybridity make the concept of national identity highly problematic, new questions emerge that challenge and destabilize our conventional ways of thinking. Where do migrants ‘belong’? Are they members of a distant nation, or natives of the places in which they live? What kind of changes does the sense of ‘Turkishness’ undergo, and what does it mean to various Turkish communities living in various parts of the world? Most important of all, can emergent migrant and transnational cinema prevent nationalism’s abuse of locality and intimacy? In Imaginaries Out of Place: Cinema, Transnationalism and Turkey, the editors put together a series of bold and innovative essays that engage the question of transnational cinema in the context of Turkish national identity. This collection is essential reading for those who are interested in transnational and Turkish cinemas as well as those who research issues of migrant cultures, hybrid identities and new forms of belonging.” – Mahmut Mutman, Professor of Cultural Studies, İstanbul Şehir University
DEFA
The state-sponsored Deutsche Film Anstalt (DEFA) was responsible for film production in the former GDR from 1946 until 1992. This volume traces the development of DEFA and East German cinema.
Embodying Borders
Based on extensive field research, the essays in this volume illuminate the experiences of migrants from their own point of view, providing a critical understanding of the complex social reality in which each experience is grounded. Access to medical care for migrants is a fundamental right which is often ignored. The book provides a critical understanding of the social reality in which social inequalities are grounded and offers the opportunity to show that right to health does not correspond uniquely with access to healthcare.
