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Reading After Theory
Valentine Cunningham's controversial manifesto asks what will and should happen to reading in the post-theory era.
Faculty Towers
In the days before there were handbooks, self-help guides, or advice columns for graduate students and junior faculty, there were academic novels teaching us how a proper professor should speak, behave, dress, think, write, love, and (more than occasionally) solve murders. If many of thesebooks are wildly funny, others paint pictures of failure and pain, of lives wasted or destroyed. Like the suburbs, Elaine Showalter notes, the campus can be the site of pastoral and refuge. But even ivory towers can be structurally unsound, or at least built with glass ceilings. Though we love toread about them, all is not well in the faculty towers, and the situation has been worsening.In Faculty Towers, S...
Reading After Theory
Valentine Cunningham's controversial manifesto asks what will and should happen to reading in the post-theory era.
Victorian Poetry
This volume distils into two hundred pages some of the most influential poetry of the Victorian period. Distils into one volume the key poems of the Victorian era. Organised chronologically, allowing readers to perceive continuities and changes through the century. Includes a general introduction, giving readers an overview of the poets and the period. Represents texts in their entirety where possible.
Victorian Poetry
A companion volume to Victorian Prose, edited by Frederick Willam Roe.
Incorrigibly Plural
Incorrigibly Plural celebrates the diversity and vitality of Louis MacNeice's writing. Poets and critics illuminate the work of a writer whose achievement and influence is increasingly recognised as central to modern poetry in English. Contributions include responses to MacNeice by poets such as Paul Farley, Leontia Flynn, Nick Laird, Derek Mahon, Glyn Maxwell and Paul Muldoon; discussions by critics such as Neil Corcoran, Valentine Cunningham, Hugh Haughton, Peter McDonald and Clair Wills; and more biographical accounts, including a memoir by MacNeice's son, the late Dan MacNeice. For each of them, MacNeice remains a continuing presence for his insight into the mechanisms of the modern world, his complex political awareness, his ability to bring the historical moment alive. Above all, what emerges is pleasure in MacNeice's plurality of language and forms. More than a retrospective work of criticism, Incorrigibly Plural belongs to live debates about contemporary poetry.
Glossalalia
First published in 2004. Routledge is an imprint of Taylor & Francis, an informa company.
A Companion to Satire
A COMPANION TO SATIRE A COMPANION TO SATIRE “This book forms a substantial contribution to literary studies and is likely to be the standard work on the subject for a decade or two .... The chapters are densely detailed, the vocabulary elevated.” Reference Reviews “This sturdy volume should be of use to a variety of readers from advanced undergraduates to scholars seeking refresher (or crash) courses on either major” Studies in English Literature 1500-1900 “Offering a valuable contribution to the critical study of satire, Quintero has assembled insightful essays by an impressive roster of scholars...This book serves as a cogent, instructive overview of satire.” Choice “This boo...
Who Betrays Elizabeth Bennet?
In Who Betrays Elizabeth Bennet? John Sutherland unravels 34 literary puzzles in a sequel to his bestselling works Is Heathcliff a Murderer? and Can Jane Eyre Be Happy?. As well as exploring new conundrums Professor Sutherland revisits some previous puzzles with the help of readers who offertheir own ingenious solutions, and set fresh posers for investigation. Victorian drug habits, railway systems, sanitation and dentistry are only a few of the areas that shed light on the motives and circumstances of some of literature's most famous characters: Elizabeth Bennet, Betsey Trotwood, Count Dracula, Anna Karenina, Alice and many more come under the spotlightin John Sutherland's highly entertaining collection. 'Sutherland puts humanity and the human, logic and curiosity, back into criticism . . . His respect for the realism of texts inspires, inspirits and delights.' Valentine Cunningham
