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British Writers of the Thirties
This wide-ranging study of British writers and poets of the 1930s--including Auden, Isherwood, Spender, Waugh, and Greene-- examines the masterpieces of that momentous decade, not in linguistic isolation, but in the contexts--social, political, historical, ideological, and personal--in which they were composed. Cunningham maps out the dominant images and concerns, nothing less than the central obsessions and imposing images of the '30s imagination. He analyzes the obsession with violence, the "destructive element" of post-World War consciousness; the cult of youth, of schools and schoolmasters; the infatuation with heroes--flyers, mountaineers, and racing car drivers--and the related concern about "being small," weak, or neurotic in an age of mass politics. In order to illustrate this kaleidoscope of themes, Cunningham examines not only the canonical texts, but also "minor" forms and writings, including detective stories, films, and popular songs, showing how these neglected genres also illuminate the work of this period.
Reading After Theory
Valentine Cunningham's controversial manifesto asks what will and should happen to reading in the post-theory era.
Victorian Poetry
This volume distils into two hundred pages some of the most influential poetry of the Victorian period. Distils into one volume the key poems of the Victorian era. Organised chronologically, allowing readers to perceive continuities and changes through the century. Includes a general introduction, giving readers an overview of the poets and the period. Represents texts in their entirety where possible.
The Olive Field
"Ralph Bates, an Englishman, was one of the organizers of the International Brigade in the Spanish Revolution. This novel, about the stirrings of anarchist activity in southern Spain between 1932 and 1934 and the outbreak of revolution in Asturias in 1934, was published in 1936. Bates' urgent commitment to the workers' cause fires the book but never rages alone at the expense of the characters' tale. The main protagonists are two friends-- Diego Mudarra, a guitarist, and Joachin Caro, a worker in the olive fields, and Lucia Robledo, who bears Mudarra's illegitimate child and whom Joachin marries. Beyond this personal triangle, Bates explores the configurations of other men during the politic...
Faculty Towers
In the days before there were handbooks, self-help guides, or advice columns for graduate students and junior faculty, there were academic novels teaching us how a proper professor should speak, behave, dress, think, write, love, and (more than occasionally) solve murders. If many of thesebooks are wildly funny, others paint pictures of failure and pain, of lives wasted or destroyed. Like the suburbs, Elaine Showalter notes, the campus can be the site of pastoral and refuge. But even ivory towers can be structurally unsound, or at least built with glass ceilings. Though we love toread about them, all is not well in the faculty towers, and the situation has been worsening.In Faculty Towers, S...
Spanish Front
Including writings by authors as various as Ernest Hemingway, W.B. Yeats, Virginia Woolf, Leon Trotsky, George Orwell, Antoine de Saint-Exupery, and Randall Jarrell, this anthology offers a vivid and often surprising cross section of views on the Spanish Civil--the most momentous political and cultural flashpoint of the 1930s. The book shows the writers taking sides; reflecting on the war's progress in essays, diaries, letters, journalism, poems, stories, and novels; reporting their visits to the fighting zones; and expressing their responses ranging from hope to despair, from satisfaction to horror.
Some Tennessee Heroes of the Revolution
"Based on the Invalid Lists of 1806 and the Pension Lists of 1818, 1832 and 1840, this book supplies--in addition to name, age, service, residence, and source of information--the date of the pension application; date and place of birth; service record; names of all family members cited in the pension statement; and place or places of migration to, from, or within Tennessee. The 1840 Pension List is especially interesting to researchers as it includes widows' applications. Widows were required to submit proof of marriage and children, and their applications, therefore, constitute a rich vein of genealogical source material."--Amazon.
Incorrigibly Plural
Incorrigibly Plural celebrates the diversity and vitality of Louis MacNeice's writing. Poets and critics illuminate the work of a writer whose achievement and influence is increasingly recognised as central to modern poetry in English. Contributions include responses to MacNeice by poets such as Paul Farley, Leontia Flynn, Nick Laird, Derek Mahon, Glyn Maxwell and Paul Muldoon; discussions by critics such as Neil Corcoran, Valentine Cunningham, Hugh Haughton, Peter McDonald and Clair Wills; and more biographical accounts, including a memoir by MacNeice's son, the late Dan MacNeice. For each of them, MacNeice remains a continuing presence for his insight into the mechanisms of the modern world, his complex political awareness, his ability to bring the historical moment alive. Above all, what emerges is pleasure in MacNeice's plurality of language and forms. More than a retrospective work of criticism, Incorrigibly Plural belongs to live debates about contemporary poetry.
Law and Literature
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Who Betrays Elizabeth Bennet?
In Who Betrays Elizabeth Bennet? John Sutherland unravels 34 literary puzzles in a sequel to his bestselling works Is Heathcliff a Murderer? and Can Jane Eyre Be Happy?. As well as exploring new conundrums Professor Sutherland revisits some previous puzzles with the help of readers who offertheir own ingenious solutions, and set fresh posers for investigation. Victorian drug habits, railway systems, sanitation and dentistry are only a few of the areas that shed light on the motives and circumstances of some of literature's most famous characters: Elizabeth Bennet, Betsey Trotwood, Count Dracula, Anna Karenina, Alice and many more come under the spotlightin John Sutherland's highly entertaining collection. 'Sutherland puts humanity and the human, logic and curiosity, back into criticism . . . His respect for the realism of texts inspires, inspirits and delights.' Valentine Cunningham
