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Queen's University
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Abstract Painting in Canada
In the tradition of the distinguished Douglas & McIntyre art program, this lavishly illustrated and superbly printed book is a rich, readable history of abstract painting in Canada. The story begins in the 1920s with the sometimes eccentric but remarkable work, rooted in symbolism and theosophy, of pioneers such as Kathleen Munn, Bertram Brooker and Lawren Harris. Two decades later the Automatistes-Canada's first truly independent avant-garde art movement-burst onto the scene in Montreal. After the Second World War, the urge to abstraction spread across Canada, manifesting itself in significant regional movements. Vancouver painters retained a British flavour, while in Toronto, the Painters ...
Rockefeller, Carnegie, and Canada
In the first half of the twentieth century, the Rockefeller Foundation and the Carnegie Corporation helped to create and maintain a cultural and intellectual infrastructure in Canada that benefited key institutions such as University of Toronto, McGill University, the National Gallery, the Humanities Research Council of Canada, and the Canadian Social Science Research Council. Jeffrey Brison documents how American philanthropy facilitated the transformation from a private, localized system of cultural, intellectual, and academic patronage to a complex, nation-based system of incorporated patronage - a system in which the major patron was the federal state. His study calls into question our essentialistic notions of contrasting national identities and the now-mythologized juxtaposition of an American culture fueled by the free market with a Canadian one sustained by state support.
