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Jharokha is an illustrated glossary of Indo Muslim Architecture containing 1386 terms in 769 entries in alphabetical order, with an exhaustive Index. The largest number of these has, as a matter of course, come from the indigenous sources. These are used by native builders and are more denotary than their English equivalents.As, so far, study of Indo Muslim Architecture has been mostly written in English, relevant English terms with equivalents and etymology have been given to indicate their original meaning and to show how far these terms could be used in this study meaningfully. Cross entries have been given. Terms have been defined along with equivalents from Persian and Sanskrit and also from Desi dialects with a view to fix them up in this study and to prepare a standard terminology of this discipline.Pp.36+128, Glossary of 1386 Arabic, Persian, Sanskrit, Hindi and English Architectural Terms used in Indo Muslim Architecture, Text figures 54 and halftone plates 34
On the architecture of Delhi, Ajmer, Badaon, Jaunpur, and Sasaram (Bihar), from 1192 A.D. to 1545 A.D.
The Book Studies Inlay Art That Developed In Mughal Architecture Indigenously, From Humayun To Shah Jehan (C. 1535 To 1658 Ad). Mughal Inlay Is Architectural And To Brand It Pietra-Dura , Which Was A Florentine Picture-Art Used On Wooden Furniture, Is A Misnomer. This Book Also Reveals That Orpheus Plaques Which Led The Colonial Historians To Florence To Trace The Origin Of Mughal Inlay Were Imported Ready-Made And There Is No Other Example Of Florentine Pietra-Dura.
Articles, previously published in various periodicals.
Literary criticism produced by Indian scholars from the earliest times to the present age is represented in this book. These include Bharatamuni, Tholkappiyar, Anandavardhana, Abhinavagupta, Jnaneshwara, Amir Khusrau, Mirza Ghalib, Rabindranath Tagore, Sri Aurobindo, B.S. Mardhekar, Ananda Coomaraswamy, and A.K. Ramanujam and Sudhir Kakar among others. Their statements have been translated into English by specialists from Sanskrit, Persian and other languages.
Entitled as it is, this is devoted to the study of the Architecture of Fatehpur Sikri, the township of Akbar, the Great, and its forms, techniques and concepts. The first chapter deals with Babur's Jal-Mahal which has been identified for the first time. The second chapter is on the formative process whereby a cosmopolitan style is formed by the assimilation of disparate building traditions, in respect of Mughal Architecture (which was, originally, a part of the paper for the XXVI International Congress of the History of Art, Washington D.C. 11-18 August 1986).The third chapter studies architecture of Fatehpur Sikri in respect of the sources and determinants of its forms; its town-planning; p...