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KOINE
  • Language: en
  • Pages: 248

KOINE

  • Type: Book
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  • Published: 2009-11-23
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  • Publisher: Oxbow Books

The Oxford English Dictionary defines koine as 'a set of cultural or other attributes common to various groups' . This volume merges an academic career over a half century in breadth and scope with an editorial vision that brings together a chorus of scholarly contributions echoing the core principles of R. Ross Holloways own unique perspective on ancient Mediterranean studies. Through broadly conceived themes, the four individual sections of this volume (I. A View of Classical Art: Iconography in Context; II. Crossroads of the Mediterranean: Cultural Entanglements Across the Connecting Sea; III. Coins as Culture: Art and Coinage from Sicily; and IV. Discovery and Discourse, Archaeology and Interpretation) are an attempt to capture the many and varied trajectories of thought that have marked his career and serve as testimony to the significance of his research. The twenty-four papers (plus four introductory essays to the individual sections, biographical sketch and main introduction) contain recent research on subjects ranging from the Kleophrades Painter to the Black Sea, Sicilian Coinage and archaeology in modern Rome.

Constantine and Rome
  • Language: en
  • Pages: 207

Constantine and Rome

Constantine the Great (285–337) played a crucial role in mediating between the pagan, imperial past of the city of Rome, which he conquered in 312, and its future as a Christian capital. In this learned and highly readable book, R. Ross Holloway examines Constantine’s remarkable building program in Rome. Holloway begins by examining the Christian Church in the period before the Peace of 313, when Constantine and his co-emperor Licinius ended the persecution of the Christians. He then focuses on the structure, style, and significance of important monuments: the Arch of Constantine and the two great Christian basilicas, St. John’s in the Lateran and St. Peter’s, as well as the imperial mausoleum at Tor Pignatara. In a final chapter Holloway advances a new interpretation of the archaeology of the Tomb of St. Peter beneath the high altar of St. Peter’s Basilica. The tomb, he concludes, was not the original resting place of the remains venerated as those of the Apostle but was created only in 251 by Pope Cornelius. Drawing on the most up-to-date archaeological evidence, he describes a cityscape that was at once Christian and pagan, mirroring the personality of its ruler.

The Archaeology of Ancient Sicily
  • Language: en
  • Pages: 232

The Archaeology of Ancient Sicily

  • Type: Book
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  • Published: 2002-11
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  • Publisher: Routledge

First Published in 2004. Routledge is an imprint of Taylor & Francis, an informa company.

The Archaeology of Early Rome and Latium
  • Language: en
  • Pages: 228

The Archaeology of Early Rome and Latium

  • Type: Book
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  • Published: 2014-05-12
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  • Publisher: Routledge

The archaeology of early Rome has progressed rapidly and dramatically over the last century; most recently with the discovery of the shrine of Aeneas at Lavinium and the reports of the walls of the Romulan city discovered on the city slopes of the Palatine Hill. The Archaeology of Early Rome and Latium presents the most recent discoveries in Rome and its surroundings: princely tombs,inscriptions and patrician houses are included in a complete overview of the subject and the controversies surrounding it. This comprehensively illustrated study fills the need for an accessible English guide to these new discoveries, and in preparation, the author interviewed most of the leading figures in current research on the early periods of Rome.

Satrianum
  • Language: en
  • Pages: 332

Satrianum

"Satriano (called Satrianum in Latin) was originally a Lucanian town. Excavations have brought to light traces of a small rectangular temple with a banqueting hall, an area for religious ceremonies and a portico. The town was situated at 950 metres above sea level on the top of a hill overlooking the modern town that since 1887 is called Satriano di Lucania (not to be confused with another town called Satriano in Calabria), and which, before taking the name of the destroyed city, was called Pietrafesa and, earlier, Petrafixa. Documents from the ninth century AD onward mention Satriano, which was definitively destroyed in 1430 by order of Queen Joan II of Naples. It is recounted that the queen ordered that it be burned to the ground because of the abduction there of a lady in waiting of the court who was passing through. The inhabitants moved to Pietrafesa. All that remains are some ruins, including those of the cathedral, which was dedicated to Saint Stephen, and a better preserved 12th-century tower."--Wikipedia.

Morgantina Studies: The terracottas
  • Language: en

Morgantina Studies: The terracottas

  • Type: Book
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  • Published: 1981
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  • Publisher: Unknown

None

The Archaeology of Athens
  • Language: en
  • Pages: 352

The Archaeology of Athens

The definitive work on the monuments of ancient Athens and Attica In this book, a leading authority on the archaeology of ancient Greece presents a survey of the monuments—first chronologically and then site by site. John M. Camp begins with a comprehensive narrative history of the monuments from the earliest times to the sixth century A.D. Drawing on literary and epigraphic evidence, including Plutarch’s biographies, Pausanias’s guidebook, and thousands of inscriptions, he discusses who built a given structure, when, and why. Camp presents dozens of passages in translation, allowing the reader easy access to the variety and richness of the ancient sources. In effect, this main part of the book provides an engrossing history of ancient Athens as recorded in its archaeological remains. The second section of the book offers in-depth discussions of individual sites in their physical context, including accounts of excavations in the modern era. Written in a clear and engaging style and lavishly illustrated, Camp’s archaeological tour of Athens is certain to appeal not only to scholars and students but also to visitors to the area.

Morgantina Studies, Volume II
  • Language: en
  • Pages: 320

Morgantina Studies, Volume II

This volume continues documenting the well-known excavations at Morgantina, a Greek town in central Sicily, in a presentation of the largest body of coins ever unearthed at an Italian site and published as a group. The excavations, conducted by Princeton University, The University of Illinois, and The University of Virginia between 1955 and 1981, produced nearly 10,000 identifiable coins--most of them at of Sicilian Greek and Roman issues, struck before the end of the first century B.C. The numismatic evidence not only made possible the initial identification fo the side as Morgantina, but has subsequently opened the way to reconstructing the history of early Roman Republican coinage and the...

The Hand of Daedalus
  • Language: en
  • Pages: 68

The Hand of Daedalus

  • Type: Book
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  • Published: 2012-08-19
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  • Publisher: Unknown

Lectures on ancient Greek art and archicture delivered as the John and Penelope Biggs Resident in Classics at Washington University in St. Louis in 1997.

Mosaics of the Greek and Roman World
  • Language: en
  • Pages: 412

Mosaics of the Greek and Roman World

This book provides a comprehensive account of mosaics in the ancient world from the early pebble mosaics of Greece to the pavements of Christian churches in the East. Separate chapters in Part I cover the principal regions of the Roman Empire in turn, in order to bring out the distinctive characteristics of their mosaic workshops. Questions of technique and production, of the role of mosaics in architecture, and of their social functions and implications are treated in Part II. The book discusses both well-known works and recent finds, and balances consideration of exceptional masterpieces against standard workshop production. Two main lines of approach are followed throughout: first, the role of mosaics as a significant art form, which over an unbroken span illuminates the evolution of pictorial style better than any comparable surviving medium; and secondly, their character as works of artisan production closely linked to their architectural context.