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Dozakhnama
Dozakhnama: Conversations in Hell is an extraordinary novel, a biography of Manto and Ghalib and a history of Indian culture rolled into one. Exhumed from dust, Manto’s unpublished novel surfaces in Lucknow. Is it real or is it a fake? In this dastan, Manto and Ghalib converse, entwining their lives in shared dreams. The result is an intellectual journey that takes us into the people and events that shape us as a culture. As one writer describes it, ‘I discovered Rabisankar Bal like a torch in the darkness of the history of this subcontinent. This is the real story of two centuries of our own country.’ Rabisankar Bal’s audacious novel, told by reflections in a mirror and forged in the fires of hell, is both an oral tale and a shield against oblivion. An echo of distant screams. Inscribed by the devil’s quill, Dozakhnama is an outstanding performance of subterranean memory.
A Mirrored Life
On his way from Tangiers to China, the medieval Moorish traveller Ibn Battuta arrives in Konya, Turkey where the legendary dervish Rumi had lived, danced and died. More than half a century may have passed since his death, but his poetry remains alive, inscribed in every stone and tree and pathway. Rumi’s followers entrust Ibn Battuta with a manuscript of his life stories to spread word of the mystic on his travels. As Battuta reads and recites these tales, his listeners discover their own lives reflected in these stories—fate has bound them, and perhaps you, to Rumi. A Mirrored Life reaffirms the magical powers of storytelling, making us find Rumi in each of our hearts.
Dozakhnama
Sometime in the late twentieth century, Manto's unpublished novel surfaces in Lucknow, in which he and Ghalib converse from their respective graves, separated by a century and the distance between Lahore and Delhi. Their lives intertwine in shared dreams and the result is an intellectual journey that takes us into the history and perceptions that have shape the people and culture of our subcontinent in the last two centuries. The work of a fascinating mind, Bal's Dozakhnama is a fascinating duet between two literary giants who were also very astute chroniclers of their times.
Curfewed Night
Since 1989, when the separatist movement exploded in Kashmir, more than 70,000 people have been killed in the battle between India and Pakistan over Kashmir. Born and raised in the war-torn region, Basharat Peer brings this little-known part of the world to life in haunting, vivid detail.. Peer reveals stories from his youth as well as gut-wrenching accounts of the many Kashmiris he met years later, as a reporter. He chronicles a young man’s initiation into a Pakistani training camp; a mother who watches as her son is forced to hold an exploding bomb; a poet who finds religion when his entire family is killed. He writes about politicians living in refurbished torture chambers, idyllic villages rigged with landmines, and ancient Sufi shrines decimated in bomb blasts.. Curfewed Night is a tale of a man’s love for his land, the pain of leaving home, and the joy of return—as well as a fiercely brave piece of literary reporting..
Khwabnama
Bengal in the 1940s. Having overcome the famine and the revolt of the sharecroppers, Bengal's peasants are uniting. Work is scarce and wages are low. There is barely any food to be had. The proposal for the formation of Pakistan, the elections of 1946, and communal riots are rewriting the contours of history furiously. Amidst all this, in an unnamed village, a familiar corporeal spirit plunges into knee-deep mud. This is Tamiz's father, the man in possession of Khwabnama. At first glance, Khwabnama is the tale of a harmless young farmhand who becomes a sharecropper and dreams of a future that has everything to do with the land that he cultivates and the soil that he tills. The fabric of his dreams, though, have as much to do with the history of the land as its future, and as much to do with memories as with hope. In this magnum opus, which documents the Tebhaga movement, wherein peasants demanded two-thirds of the harvest they produced on the land owned by zamindars, Akhtaruzzaman Elias has created an extraordinary tale of magical realism, blending memory with reality, legend with history and the struggle of marginalized people with the stories of their ancestors.
The Lives of Others
‘Ma, I feel exhausted with consuming, with taking and grabbing and using. I am so bloated that I feel I cannot breathe any more. I am leaving to find some air, some place where I shall be able to purge myself, push back against the life given me and make my own. I feel I live in a borrowed house. It’s time to find my own . . . Forgive me . . .’ Calcutta, 1967. Unnoticed by his family, Supratik has become dangerously involved in student unrest, agitation, extremist political activism. Compelled by an idealistic desire to change his life and the world around him, all he leaves behind before disappearing is this note . . . The ageing patriarch and matriarch of his family, the Ghoshes, pre...
Narrating South Asian Partition
Narrating Partition features in-depth interviews with more than 120 individuals across India, Pakistan, Bangladesh, and the United Kingdom, each reflecting on their direct or inherited experience of the 1947 Indian/Pakistani partition. Through the collection of these oral history narratives, Raychaudhuri is able to place them into comparison with the literary, cinematic, and artistic representations of partition, and in doing so, examine the ways in which the events of partition are remembered, re-interpreted, and reconstructed and the themes (home, family, violence, childhood, trains, and rivers) that are recycled in the narration.
