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Dozakhnama: Conversations in Hell is an extraordinary novel, a biography of Manto and Ghalib and a history of Indian culture rolled into one. Exhumed from dust, Manto’s unpublished novel surfaces in Lucknow. Is it real or is it a fake? In this dastan, Manto and Ghalib converse, entwining their lives in shared dreams. The result is an intellectual journey that takes us into the people and events that shape us as a culture. As one writer describes it, ‘I discovered Rabisankar Bal like a torch in the darkness of the history of this subcontinent. This is the real story of two centuries of our own country.’ Rabisankar Bal’s audacious novel, told by reflections in a mirror and forged in the fires of hell, is both an oral tale and a shield against oblivion. An echo of distant screams. Inscribed by the devil’s quill, Dozakhnama is an outstanding performance of subterranean memory.
Sometime in the late twentieth century, Manto's unpublished novel surfaces in Lucknow, in which he and Ghalib converse from their respective graves, separated by a century and the distance between Lahore and Delhi. Their lives intertwine in shared dreams and the result is an intellectual journey that takes us into the history and perceptions that have shape the people and culture of our subcontinent in the last two centuries. The work of a fascinating mind, Bal's Dozakhnama is a fascinating duet between two literary giants who were also very astute chroniclers of their times.
On his way from Tangiers to China, the medieval Moorish traveller Ibn Battuta arrives in Konya, Turkey where the legendary dervish Rumi had lived, danced and died. More than half a century may have passed since his death, but his poetry remains alive, inscribed in every stone and tree and pathway. Rumi’s followers entrust Ibn Battuta with a manuscript of his life stories to spread word of the mystic on his travels. As Battuta reads and recites these tales, his listeners discover their own lives reflected in these stories—fate has bound them, and perhaps you, to Rumi. A Mirrored Life reaffirms the magical powers of storytelling, making us find Rumi in each of our hearts.
Set in 1950s Calcutta, this is a saga of the intimate lives of managers, employees and guests at one of Calcutta's largest hotels, the Shahjahan.
Narrating Partition features in-depth interviews with more than 120 individuals across India, Pakistan, Bangladesh, and the United Kingdom, each reflecting on their direct or inherited experience of the 1947 Indian/Pakistani partition. Through the collection of these oral history narratives, Raychaudhuri is able to place them into comparison with the literary, cinematic, and artistic representations of partition, and in doing so, examine the ways in which the events of partition are remembered, re-interpreted, and reconstructed and the themes (home, family, violence, childhood, trains, and rivers) that are recycled in the narration.
'An unnerving, ominous and beautiful meditation on the loneliness of modern life.' - The Guardian
It has been ten years since Ram's return from fallen Lanka. Ayodhya is shining. Ayodhya is prosperous. But darkness lurks at the heart of the victrorious regime. A pointed question piques a young journalist's curiousity: What happened to Sita? Where is Ram's absent wife whose abduction triggered the war with Lanka? And so begins the journalist's search for the missing queen. Soon her investigation attracts the notice of Ayodhya's all-powerful secret police and its mysterious head, the Washerman. Forced to flee Ayodhya, the journalist makes her way through a war-devastated Lanka in search of answers. In this stylish speculative thriller, Samhita Arni skilfully combines her love for mythology with riveting storytelling. Published by Zubaan.
Set in Shimla, The Red Tin Roof evokes with rare delicacy and precision the interplay of seasons, nature and people, while it broodingly tells the story of a young girl growing into adolescence, in the company mostly of older women but also of a younger brother who trails her. In this exploration of an inner world, Nirmal Verma does not so much as tell a story as reminisce. Memory is the seed of his story.
In this sequel to Chowringhee, the third instalment in the life and tribulations of the naïve and innocent young Shanker, he is once again out of a job and without a roof on his head. After much difficulty he finds a job as a manager in a grand but crumbling building in the posh area of the city: Thackeray Mansion on Scudder Street. The narrator directs his keen eye and sympathetic ear to tell captivating stories of those who live in the homes within a home of Thackeray Mansion, and those who work in it. The mysterious disappearance of Philip sahib’s wife, the hilarious monologues of the feisty Poppy Biswas and the grouchy Baradaprasanna, the seductive Sulekha Sen who morphs into the respectable Seema Chatterjee, and the love of Dorothy Watts for Rabindranath Tagore: stories nestle within stories and the result is an astonishing novel filled with joys and sorrows, laughter and tears, despair and hope.
2084 bce: In the great city of Mohenjodaro, along the banks of the Indus, a young man named Prkaa becomes increasingly mistrustful of the growing authority of a cult of priests. 455 ce: In the fabled university city of Takshasilla, Buddhamitra, a monk, is distressed by how his colleagues seem to have lost sight of the essence of the Buddha's message of compassion. 1620 ce: During the reign of the Mughal emperor Jahangir, a pair of itinerant fortune seekers endeavour to swindle the patrician elite, only to find themselves utterly disillusioned. 1857 ce: Mir Sahib, a wandering minstrel, traverses the realms of human deception even as a rebellion against the British Raj is advancing across Indi...