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The Music of Charlie Chaplin
Charlie Chaplin the actor is universally synonymous with his beloved Tramp character. Chaplin the director is considered one of the great auteurs and innovators of cinema history. Less well known is Chaplin the composer, whose instrumental theme for Modern Times (1936) later became the popular standard "Smile," a Billboard hit for Nat "King" Cole in 1954. Chaplin was prolific yet could not read or write music. It took a rotating cast of talented musicians to translate his unorthodox humming, off-key singing, and amateur piano and violin playing into the singular orchestral vision he heard in his head. Drawing on numerous transcriptions from 60 years of original scores, this comprehensive study reveals the untold story of Chaplin the composer and the string of famous (and not-so-famous) musicians he employed, giving fresh insight into his films and shedding new light on the man behind the icon.
Blake Family
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Rich
She has secrets, and he has the training to uncover them. Rachel Ford-Talbot has nothing to do with her family or their pharmaceutical business. And she likes it that way. As one of four partners who own an internationally renowned security business, Rachel prefers to leave her past, with all its secrets, deeply buried. But when a series of thefts reveal that the family business is being targeted for industrial espionage, her father begs Rachel to investigate. His illness makes it hard for her to refuse, but Rachel wonders if he truly understands what he's unleashing on his company. Because she isn't the same bright-eyed graduate that walked through their doors years earlier. Now, she's stro...
The British Friend
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A Light Affliction: a History of Film Preservation and Restoration
A history of film preservation and restoration, telling the story from the earliest days of the cinema to the modern days of digital restorations. The cinema was invented in the Victorian era, but for the first four decades of its existence almost no effort was made to preserve the millions of feet of celluloid which rolled through the cameras and projectors of the world. As a result, thousands of movies were lost forever. In the 1930s, the first concerted attempts at film preservation were begun by pioneering individuals such as Iris Barry at New York's Museum of Modern Art; Ernest Lindgren at the British Film Institute, and the indomitable Henri Langlois at the Cinémathèque française, a man who performed heroics in occupied France to save the world's cinematic heritage from destruction by the Nazis. The 1980s video boom encouraged the studios finally to instigate asset protection programmes and in the digital age new methods of producing, exhibiting and restoring motion pictures emerged.
