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One of the defining features of modernism lies in its far-reaching rethinking of the relation between the human and the non-human. In the present volume, this crucial aspect of modernism’s legacy is investigated from an authentically transnational perspective, taking an innovative stance on a diverse range of authors – from posthumanist classics such as Beckett and Woolf to Valentine de Saint-Point, Radoje Domanovic and Aldo Palazzeschi among others. On the one hand, this collection sheds new light on the modernist contribution to posthumanism, providing a valuable reference point for future studies on the topic. On the other, it offers a new take on the transnational dimension of modernism, highlighting unexplored convergences between modernist authors from several different national contexts.
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Ono najbolje sto je Radoje Domanovic napisao jesu upravo satire koje su nastale tokom poslednjih godina obrenovicevskog apsolutizma. Nadahnulo ga je njegovo vatreno slobodoljublje i ogorcena mrznja prema svim vidovima tiranije.
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