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Telaraña es una crónica de nuestro tiempo en lo que concierne a unos personajes centrales de ficción que pertenecen a dos generaciones próximas y a un emplazamiento espacial concreto, pero que podría fácilmente ampliarse desde Granada hasta cualquier otra ciudad de un país moderno del primer mundo. Es una panorámica general que abarca conflictos significativos, y muchas veces punzantes -si bien, no en la misma medida para todas las personas- en los que el lector quizá se vea reflejado de alguna manera. Así que vamos a ser partícipes acompañantes de varios miembros de una misma familia que tienen formas dispares de situarse ante los acontecimientos y decidir cómo afrontar los dilemas que se presentan a su paso, e incluso de cómo capotear las embestidas más amenazantes que les acechan en momentos impensados. A medida que discurren los entresijos de la trama nos identificaremos de alguna manera con ellos, les comprenderemos o les denostaremos, les animaremos, compadeceremos o, incluso, les amaremos, siempre viendo un algo de nuestros propios dilemas -de nuestro propio yo- en el espejo de sus noveladas identidades.
Finalist for the 2016 PEN Center USA Award for Translation In 1809, at the age of eighteen, Henriette Faber enrolled herself in medical school in Paris—and since medicine was a profession prohibited to women, she changed her name to Henri in order to matriculate. She would spend the next fifteen years practicing medicine and living as a man. Drafted to serve as a surgeon in Napoleon's army, Faber endured the horrors of the 1812 retreat across Russia. She later embarked to the Caribbean and set up a medical practice in a remote Cuban village, where she married Juana de León, an impoverished local. Three years into their marriage, de León turned Faber in to the authorities, demanding that ...
These wide-ranging conversations have an exceptionally open and intimate tone, giving us a personal glimpse of one of the most fascinating figures in contemporary world literature. Interviewer Fernando Sorrentino, an Argentinian writer and anthologist, is endowed with literary acumen, sensitivity, urbanity, and an encyclopedic memory of Jorge Luis Borges' work (in his prologue, Borges jokes that Sorrentino knows his work "much better than I do"). Borges wanders from nostalgic reminiscence to literary criticism, and from philosophical speculation to political pronouncements. His thoughts on literature alone run the gamut from the Bible and Homer to Ernest Hemingway and Julio Cortázar. We lea...
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Stop curating! And think what curating is all about. This book starts from this simple premise: thinking the activity of curating. To do that, it distinguishes between 'curating' and 'the curatorial'. If 'curating' is a gamut of professional practices for setting up exhibitions, then 'the curatorial' explores what takes place on the stage set up, both intentionally and unintentionally, by the curator. It therefore refers not to the staging of an event, but to the event of knowledge itself. In order to start thinking about curating, this book takes a new approach to the topic. Instead of relying on conventional art historical narratives (for example, identifying the moments when artistic and ...