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Senthil, a young and idealistic Indian Forest Service officer from Chennai gets posted to Central India. He is soon exposed to the corruption in the government departments, shady senior officers, mining mafia, naxal menace and human-elephant conflict. When his honesty comes in direct confrontation with the politics of postings and transfers, Senthil is slowly and surely tested. Working in rural hinterlands, he is shocked to see the misery of the tribals, crushed between the naxals and the police. It is not long before he discovers the cruel hollowness of the Maoist ideology. Senthil witnesses the tragedy of elephant menace and much to his heartburn a rogue tusker is marked to be eliminated. Wherever he is posted, Senthil manages to rub the political leaders the wrong way and is shunted out from one post to another. Will he be able to stick to his principles? Will he get support from his superiors? Will his wife Manjula stand by him?
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'A work of historic significance' - BENYAMIN A journalist goes to Theeyoor - 'the land of fire' - to investigate the unnaturally large number of suicides and disappearances in the city. After completing this project, however, Theeyoor refuses to leave his consciousness, and he decides to write its history. This history is told through various documents: the writer's notes, the anecdotes told to him while researching the suicides, Wardha Gopalan's book The History of Theeyoor, information provided by a local newspaper agent, personal papers of individuals, as well as some 'incidents' that the journalist himself imagines. In N. Prabhakaran's masterful hands - and in Jayasree Kalathil's brilliant translation - history, myth, facts, nature, political events, and everyday concerns of ordinary people weave together into a story that is at once local and universal.
This book is a compilation of selected papers presented in the International Conference on the theme ‘Wood is Good: Current Trends and Future Prospects in Wood’. The contents of the book deal with recent innovations, trends and challenges in wood science and are grouped in five distinct sections. They cover a wide range of topics like wood variability, processing and utilization, wood protection, wood-based composites, wood energy and the role of wood in mitigating climate change. With the ever increasing human population and growing demand for wood, this book offers valuable insights for better understanding and efficient utilization of this wonderful gift of nature. This book will be useful to researchers, professionals, and policy makers involved in forestry and wood related areas.
A thorough rethinking of a field deserves to take a shape that is in itself new. Interacting with Print delivers on this premise, reworking the history of print through a unique effort in authorial collaboration. The book itself is not a typical monograph—rather, it is a “multigraph,” the collective work of twenty-two scholars who together have assembled an alphabetically arranged tour of key concepts for the study of print culture, from Anthologies and Binding to Publicity and Taste. Each entry builds on its term in order to resituate print and book history within a broader media ecology throughout the eighteenth and nineteenth centuries. The central theme is interactivity, in three senses: people interacting with print; print interacting with the non-print media that it has long been thought, erroneously, to have displaced; and people interacting with each other through print. The resulting book will introduce new energy to the field of print studies and lead to considerable new avenues of investigation.
Study an initiative of the Lifescape Project.
A collection of sensitive, world-bending human portraits from short story writer N. Prabhakaran. A research scholar whose notebook reveals a surreal pig farm... A psychologist in search of the truth about one of his clients... An aspiring writer who emulates Gogol... The unforgettable men and women in N. Prabhakaran's stories have an uncanny ability to expose the fault lines between the real and the unreal, the normal and the mad, as they explore their own inner worlds and psychic wounds. A pioneer of the post-modern aesthetic turn, N. Prabhakaran weaves the nitty-gritty of everyday, small-town lives into his imaginative tales. Set in northern Kerala, these five stories are steeped in folklore, nature, factional politics and the intricacies of human relationships. Brilliantly translated by Jayasree Kalathil, Diary of a Malayali Madman marks the very first time this major Indian writer's work is available in English.
Equality and Sustainable Human Development is the need of our under Globalisation. This volume is useful to Social Sciences, Commerce and General Readers in Particular.
Complex, compelling and shocking - PAUL ZACHARIA An intimate chronicle of the world we live in ... deceptively simple but searingly truthful - K.R. MEERA Endlessly playful, cleverly mischievous, enchantingly magical, scarily nightmarish - K. SATCHIDANANDAN When they were first published, Gracy's stories shocked readers with their sexual candour and frank celebration of female desire. She is now widely recognized as one of the most important contemporary writers in Malayalam. Her short stories, which vary from half a page to novella-length, draw the reader into the world of modern men and women caught in quagmires of desire, lust, jealousy and vengeance - emotions that they often carry even into the afterlife. In these pages we will find: the bitter defiance of a daughter going to her mother's funeral in her most alluring sari; a contemporary retelling of the story of Draupadi; the sinister coming-of-age tale of a young girl... Brilliantly rendered by award-winning translator Fathima E.V., Baby Doll brings a comprehensive selection of Gracy's work to English readers for the very first time.