Welcome to our book review site go-pdf.online!
You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
Matta
None
Matta
Ramuntcho (1960) is the youngest son of Roberto Matta. Architect, experimental musician, was a disciple of John Cage, and artist. In his drawings has developed a surreal aspect akin to his father. Up until now were unknown profuse and unpublished letters that Matta sent to his son revealing many aspects of the artists. A large selection of these letters are published in this book. The pages are interleaved with events and family photos, works of Matta, and excerpts from his biography.
Color me
None
Transmission
A comprehensive examination of the relationship between the work of renowned surrealist Roberto Matta (1912–2002) and his son, conceptual artist, Gordon Matta-Clark (1943-1978).
Ramuntcho Matta
None
Gordon Matta-Clark
Bringing a poet’s perspective to an artist’s archive, this highly original book examines wordplay in the art and thought of American artist Gordon Matta-Clark (1943–1978). A pivotal figure in the postminimalist generation who was also the son of a prominent Surrealist, Matta-Clark was a leader in the downtown artists' community in New York in the 1970s, and is widely seen as a pioneer of what has come to be known as social practice art. He is celebrated for his “anarchitectural” environments and performances, and the films, photographs, drawings, and sculptural fragments with which his site-specific work was documented. In studies of his career, the artist’s provocative and vivid...
Matta
None
Back in No Time
The first anthology of writings by the brilliant avant-gardist: “A valuable book that makes accessible an artist too long considered a cult-eccentric.” —Publishers Weekly Born in 1916, Brion Gysin was a visual artist, historian, novelist, and experimental poet credited with the discovery of the “cut-up” technique—a collage of texts, not pictures—which his longtime collaborator William S. Burroughs put to more extensive use. He is also considered one of the early innovators of sound poetry, which he defined as “getting poetry back off the page and into performance.” Back in No Time gathers materials from the entire Gysin oeuvre: scholarly historical study, baroque fiction, permutated and cut-up poetry, unsettling memoir, selections from The Process and The Last Museum, and his unproduced screenplay of Burroughs’ novel Naked Lunch. In addition, this reader contains complete texts of several Gysin pieces that are difficult to find, including “Poem of Poems,” “The Pipes of Pan,” and “A Quick Trip to Alamut.”
Ramuntcho Matta
None
