You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
These Straggling, Excited Groups Were Mainly Composed Of Men With Green Boughs In Their Hats And The Most Ludicrous Of Weapons In Their Hands. Some, It Is True, Shouldered Fowling Pieces, And Here And There A Sword Was Brandished; But More Of Them Were Armed With Clubs, And Most Of Them Trailed The Mammoth Pikes Fashioned Out Of Scythes, As Formidable To The Eye As They Were Clumsy To The Hand. There Were Weavers, Brewers, Carpenters, Smiths, Masons, Bricklayers, Cobblers, And Representatives Of Every Other Of The Trades Of Peace Among These Improvised Men Of War. Bridgewater, Like Taunton, Had Yielded So Generously Of Its Manhood To The Service Of The Bastard Duke That For Any To Abstain Whose Age And Strength Admitted Of His Bearing Arms Was To Brand Himself A Coward Or A Papist...FROM THE BOOKS.
This Excellent Collection brings together Sabatini's longer, major books and a fine selection of shorter pieces and Naval Science-Fiction Books and Sea-Stories. This Books created and collected in Rafael Sabatini's Most important Works illuminate the life and work of one of the most individual writers of the XX century - a man who elevated political writing to an art. Rafael Sabatini (1875 – 1950) was an Italian-English writer of romance and adventure novels. He is best known for his worldwide bestsellers: The Sea Hawk (1915), Scaramouche (1921), Captain Blood (a.k.a. The Odyssey of Captain Blood) (1922), and Bellarion the Fortunate (1926). In all, Sabatini produced 34 novels, eight short ...
A master swordsman travels to dangerous, Revolution-era France to claim his inheritance, in this swashbuckling adventure by the author Captain Blood. The French Revolution is well underway. Countless French nobles are escaping from the horrible violence and traveling to England for refuge. Meanwhile, Quentin de Morlaix, master swordsman, runs a popular fencing school in London. He may have been raised in England since he was a baby, but his French blood gives him some sympathy for these emigrés. His concern for France ends there, until he receives a surprise from a lawyer. Quentin is a noble and he has six months to claim a sizable inheritance from a brother he never knew about. To claim his fortune, however, Quentin must travel into the heart of the French Revolution, a land of chaos, mystery, suspense, and certain death.
When Priscilla Harradine travels back to England on the Centaur she has no cause to expect her journey will be remotely eventful. But also on board is Charles de Bernis – a mysterious and intriguing buccaneer. Just as their friendship blossoms, a dark figure from de Bernis’ past emerges to propel them into a thrilling and perilous adventure.
The Lost King' tells the story of Louis XVII – the French royal who allegedly died at the age of ten but, as legend has it, escaped to foreign lands where he lived to an old age. Sabatini breathes life into these age-old myths, creating a story of passion, revenge and betrayal.
European waters are rife with mighty naval battles – not least the renowned Battle of Amalfi of 1527. Yet for Admiral Andrea Doria, the battles confronts are not confined to sea alone. The House of Dorian is plagued with conflict, both within and without, and Andrea finds that he has very real enemies in his midst.
Oliver Tressilian, a Cornish gentleman who helped the English defeat the Spanish Armada, is betrayed by his ruthless half-brother and seeks refuge in the Middle East, where he takes on a new role as a Barbary pirate.
With medieval Italy as a colourful backdrop, Sabatini masterfully recreates the political intrigue and misguided loyalties that reigned as the ‘Banner of the Bull’ waved victoriously over the land. Weaving deft descriptions and spirited characterisations into historical events, this is the remarkable story of the notorious Cesare Borgia.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Rafael Sabatini's 'Torquemada and the Spanish Inquisition' is a meticulously researched historical account that penetrates the dark veil shrouding the notorious institution and its formidable first Grand Inquisitor, Tomás de Torquemada. Culled from the annals of the late 15th century when religious conformity became synonymous with national identity, Sabatini's narrative stands as a compelling testament to scrupulous historiography. His prose is both accessible and evocative, prompting readers to reconceive the sagas related to the Inquisition. By sedulously contrasting the raw primary sources with the hyperbolic myths that surround Torquemada's legacy, Sabatini offers an unflinchingly nuan...