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Narratives of Vulnerability in Mexico's War on Drugs
This book explores the current human rights crisis created by the War on Drugs in Mexico. It focuses on three vulnerable communities that have felt the impacts of this war firsthand: undocumented Central American migrants in transit to the United States, journalists who report on violence in highly dangerous regions, and the mourning relatives of victims of severe crimes, who take collective action by participating in human rights investigations and searching for their missing loved ones. Analyzing contemporary novels, journalistic chronicles, testimonial works, and documentaries, the book reveals the political potential of these communities’ vulnerability and victimization portrayed in these fictional and non-fictional representations. Violence against migrants, journalists, and activists reveals an array of human rights violations affecting the right to safe transit across borders, freedom of expression, the right to information, and the right to truth and justice.
Bodies on the Front Lines
Revolutionary feminism, queer, and trans activist movements are traversing Latin America and the Caribbean. Bodies on the Front Lines situates recent performances and protests within legacies of homegrown gender and sexual rights activism from the South. Performances—enacted in public spaces and intimate venues, across national borders, and through circulating hashtags and digital media—play crucial roles in the elaboration, auto-theorization, translation, and reception of feminist, queer, and trans activism. Movements such as Argentina's NiUnaMenos (Not One Less) have brought masses of protesters and “artivists” on the streets of major cities in Latin America and beyond to denounce ...
Drugs, Violence and Latin America
This book undertakes a psychotropic analysis of texts that deal with the violence of drug trafficking and interdiction, especially in Mexico. While most critics of so-called narcoculture have either focused on an aesthetic “sobriety” in these works or discounted them altogether as exploitative and unworthy of serious attention, Drugs, Violence, and Latin America illuminates how such work may reflect and intervene in global networks of intoxication. Theorizing a “dialectics of intoxication” that illustrates how psychotropy may either solidify or destabilize the self and its relationship to the other, it proposes that these tendencies influence human behavior in distinct ways and are leveraged for social control within both licit and illicit economies. A consideration of a countercultural genealogy in Latin America provides a contrastive psychotropic context for contemporary novels that exposes links between narcoviolence and consumerism, challenging our addictions of thought and feeling about ourselves and our relationships to drugs and narco-violence.
Victim Activists in Mexico
Victim Activists in Mexico: Social and Political Mobilization amid Extreme Violence and Disappearances examines the collective action of the courageous family members of the disappeared in the midst of Mexico’s ongoing humanitarian crisis over the last decades. Yael Siman and Matthew Hone analyze this grassroots mobilization and argue that the activists have created rutinary, contentious, and innovative types of resistance through building local and trans-local links of support and solidarity that reinforce their struggle. This mobilization from below has contributed to constructing transitional justice including laws, public apologies, and memorials. The combination of internal and external factors impacting the collectives and their environment has enabled significant changes in the institutions, state responses, and the victimhood narratives in the country. This book adds to the scholarship on the collective action of grieving families by focusing on both the social and political aspects of mobilization.
The Slum and the City
The Argentine capital is largely perceived as a middle-class space. Yet in reality, urban poverty and precarious settlements are defining features of the city. Agnese Codebò investigates how slums have produced culture as well as their representation in literature and the visual arts from the 1950s to the present. Looking at government-led urban projects, as well as novels, artworks, films, militant magazines, poems, and music, she tells the story of how villas miseria have mattered culturally and socially as spaces that produce new aesthetics, cultural trends, and social alliances, while offering a vantage point to understand the city and its problems. Slums represent a heterogeneous urban space, and Codebò makes the case for their relevance in Argentine culture, demonstrates the need to rethink spaces of production, and develops a new premise for a decolonial approach to Argentine cultural production.
Peace in Latin America
This volume shifts the focus from violence to peace studies in Latin America and sheds light on how social groups and individuals resist to violence and strive to create peaceful or at least less violent conditions of conviviality. Drawing on social sciences, history, and anthropology, but also on cultural, literary, and film studies, the book examines the role of social mobilizations, civic activism, and cultural/artistic initiatives as responses to the crisis of violence, which the state is unable or unwilling to address. In this sense, it debates what a culture of peace could mean in Latin America. Divided into four chapters, Chapter 1 discusses peace from an epistemological and philosoph...
Extracting Honduras
With a focus on Honduras, James J. Phillips explores the deeper causes of the massive emigration of Central Americans to the United States. Going beyond the frequently given reasons for migration, Phillips provides a detailed account of how the frenzied extraction of natural resources has created massive community displacement, dependency, poverty, and vulnerability, while encouraging corruption, violence, gang recruitment, drug trafficking, militarization of Honduran society, and systematic repression of popular protest and resistance. Highlighting how this situation is tied to the colonial (or imperial) extractive relationship of Honduras to the United States, Phillips contends that the usual policy of development aid and investment to stem migration will only worsen the conditions that create migration. With this book, Phillips depicts how the Central American immigration “crisis” shapes life in the United States and Honduras, while making clear that the effects are not what populist politics imagine.
An Anthropology of Disappearance
All over the world, people disappear from their families, communities and the state's bureaucratic gaze, as victims of oppressive regimes or while migrating along clandestine routes. This volume brings together scholars who engage ethnographically with such disappearances in various cultural, social and political contexts. It takes an anthropological perspective on questions about human life and death, absence and presence, rituals and mourning, liminality and structures, citizenship and personhood as well as agency and power. The chapters explore the political dimension of disappearances and address methodological, epistemological and ethical challenges of researching disappearances and the disappeared. The combination of disappearance through political violence, crime, voluntary disappearance and migration make this book a unique combination.
Fieldnotes from Mexico
This experimental monograph is a portrayal of contemporary Mexican activism, written to voice activists' experiences and perspectives when protesting state, criminal, and capitalist violence. It consists of edited fieldnotes about Mexican activist movements involved in the "indignation for Ayotzinapa," which was a popular uprising protesting state violence. The book covers a period of 18 months during 2014-15, and a short field stay in October to November in 2022. It is told through (i) short biographies of activists, (ii) transcribed speeches, interviews, protest songs and slogans, and (iii) commemorative stories written in first person as if told by Mexico's many missing people as retold by their surviving family and memorized at a memorial site in Mexico City.
Performance in the Zócalo
For more than five centuries, the Plaza Mayor (or Zócalo) in Mexico City has been the site of performances for a public spectatorship. During the period of colonial rule, performances designed to ensure loyalty to the Spanish monarchy were staged there, but over time, these displays gave way to staged demonstrations of resistance. Today, the Zócalo is a site for both official government-sponsored celebrations and performances that challenge the state. Performance in the Zócalo examines the ways that this city square has achieved symbolic significance over the centuries, and how national, ethnic, and racial identity has been performed there. A saying in Mexico City is “quien domina el ce...
