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Take No Prisoners
None
The Heritage Series of Black Poetry, 1962–1975
In 1962, the Heritage Series of Black Poetry, founded and edited by Paul Breman, published Robert Hayden's A Ballad of Remembrance. By 1975, the Series had published 27 volumes by some of the twentieth-century's most important and influential poets. As elaborated in Lauri Ramey's extensive scholarly introduction, this innovative volume has dual purposes: To provide primary sources that recover the history and legacy of this groundbreaking publishing venture, and to serve as a research companion for scholars working on the Series and on twentieth-century black poetry. Never-before-published primary materials include Paul Breman's memoir, retrospectives by several of the poets published in the Series, a photo-documentary of W.E.B. Du Bois's 1958 visit to The Netherlands, poems by poets represented in the Series, and scholarly essays. Also included are bibliographies of the Heritage poets and of the Heritage Press Archives at the Chicago Public Library. This reference work is an essential resource for scholars working in the fields of black poetry, transatlantic studies, and twentieth-century book history.
I Am the Darker Brother
Collects verse by African American poets of the twentieth century.
African-American Poets
This volume;examines contemporary African-American poets from the well-known writers of the late 20th century to the newly established and emerging voices of today.
Black American Poets Between Worlds, 1940-1960
"This volume appraises distinguished black poets whose careers began to flower between the Harlem Renaissance of the 1920s, a period of militant integration, and the Black Arts Movement of the 1960s, a decade of militant separatism. Most of these writers were children of the Renaissance, then young adults during World War II, and finally middle-aged artists during the Korean conflict. The poets examined include Melvin Tolson, Robert Hayden, Dudley Randall, Margaret Esse Danner, Margaret Walker, and Gwendolyn Brooks. The interpretive focus shifts from characterization and stylistic evolution to dialectic voices, prophecy, attitude toward the opposite sex, and the theme of recreation. As editor Miller notes, the poets balance mimetic and apocalyptic theories of literature. In Freudian terms they play id against superego; in Derridean terms they reconstruct ethical and phenomenological values aesthetically. Through ballad, sonnet, and free verse, they are the poets of memory, protest, tradition, and cultural celebration"--Book jacket.
African American Literature in Transition, 1960–1970: Volume 13
This volume considers innovations, transitions, and traditions in both familiar and unfamiliar texts and moments in 1960s African American literature and culture. It interrogates declarations of race, authenticity, personal and collective empowerment, political action, and aesthetics within this key decade. It is divided into three sections. The first section engages poetry and music as pivotal cultural form in 1960s literary transitions. The second section explains how literature, culture, and politics intersect to offer a blueprint for revolution within and beyond the United States. The final section addresses literary and cultural moments that are lesser-known in the canon of African American literature and culture. This book presents the 1960s as a unique commitment to art, when 'Black' became a political identity, one in which racial social justice became inseparable from aesthetic practice.
The Life of Langston Hughes: Volume II: 1941-1967, I Dream a World
February 1, 2002 marks the 100th birthday of Langston Hughes. To commemorate the centennial of his birth, Arnold Rampersad has contributed new Afterwords to both volumes of his highly-praised biography of this most extraordinary and prolific American writer. The second volume in this masterful biography finds Hughes rooting himself in Harlem, receiving stimulation from his rich cultural surroundings. Here he rethought his view of art and radicalism, and cultivated relationships with younger, more militant writers such as Richard Wright, Ralph Ellison, James Baldwin, and Amiri Bakara. Rampersads Afterword to volume two looks further into his influence and how it expanded beyond the literary a...
American Night
American Night, the final volume of an unprecedented trilogy, brings Alan Wald's multigenerational history of Communist writers to a poignant climax. Using new research to explore the intimate lives of novelists, poets, and critics during the Cold War, Wald reveals a radical community longing for the rebirth of the social vision of the 1930s and struggling with a loss of moral certainty as the Communist worldview was being called into question. The resulting literature, Wald shows, is a haunting record of fracture and struggle linked by common structures of feeling, ones more suggestive of the "negative dialectics" of Theodor Adorno than the traditional social realism of the Left. Establishi...
