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I Dream a World
William Grant Still (1895-1978) dreamed of a world in which his eight operas--for him the ultimate form of musical expression--would be heard in the major opera houses in the United States, devoting most of his career toward the pursuit of this goal. The first part of I Dream a World creates a context for Still's operas and explores commonalities among them, including structural elements and musical characteristics. The second part traces the research, composition, and perform-ances of the operas as a way of documenting the history of the composer and his contributions to American opera. Although I Dream a World is not intentionally biographical, it is very pers-onal. It is more than the story of William Grant Still's love of operatic music, of the libretti that reflect his own life and philosophy, and of the world he dreamed through his work. It opens a window on Still the man as well as on Still the composer that offers important insights into the social milieu of this pioneering figure.
The Merchants' Capital
As cotton production shifted toward the southwestern states during the first half of the nineteenth century, New Orleans became increasingly important to the South's plantation economy. Handling the city's wide-ranging commerce was a globally oriented business community that represented a qualitatively unique form of wealth accumulation - merchant capital - that was based on the extraction of profit from exchange processes. However, like the slave-based mode of production with which they were allied, New Orleans merchants faced growing pressures during the antebellum era. Their complacent failure to improve the port's infrastructure or invest in manufacturing left them vulnerable to competition from the fast-developing industrial economy of the North, weaknesses that were fatally exposed during the Civil War and Reconstruction. Changes to regional and national economic structures after the Union victory prevented New Orleans from recovering its commercial dominance, and the former first-rank American city quickly devolved into a notorious site of political corruption and endemic poverty.
The Voodoo Cathedral Murders
Vengeance was in the humid night air of the Louisiana bayou, but it wasn't the kind Charlie Buck wanted. Before them, lit by the glowing coals of the campfire and stark light of the full moon, three men lay asleep. A fourth man, sitting with a rifle propped over his shoulder, was asleep too. Charlie glanced over at his companion, the strange Voodoo doctor he had met just before the attack. The man's black torso was bare except for the large snake curled around his neck. Despite the heat, Charlie shivered. All he wanted was to find out his father's murderer. But it was complicated. The clues had led to two places: the bayou and the cathedral in New Orleans. Guilt pointed at the priest. Charlie could not accept that. Where did Voodoo, and of all things, counterfeit money, fit with his Father's murder? His mind touched momentarily on the memory of his lost love, Rachel. She was still here too, just as beautiful as ever. But she was in love with his brother, another one of his suspects. Too many questions and not enough answers. Still, here he was. Charlie Buck drew his Colt and cocked the hammer.
The Haunting of Louisiana
"To those who may be encountering Louisiana for the first time through these wonderful stories-prepare to be engaged and entertained to a degree to which you are certainly unaccustomed . . . Barbara's gift for storytelling holds in the written word just as it does before a television camera."-Phillip J. Jones, former secretary, Louisiana Department of Culture, Recreation, and Tourism "A personal, anecdotal narrative that paints events with evocative descriptions . . . best savored in slices-it serves up a great bedtime read."-New Orleans Times-Picayune Based on the PBS documentary of the same name that aired across the country, The Haunting of Louisiana highlights many of the stories that wo...
Plantation Life on the Mississippi
One day in 1852, The Princess, one of the finest steamboats afloat on the Mississippi River one hundred years ago was rounding the bend a Duncan�s Point about ten miles below Baton Rouge, when the boilers exploded with a frightful loss of life. The disaster occurred in front of the Conrad cottage where a descendant, the late G. Mather Conrad, of New Orleans, was born and lived as a youth. Lyle Saxon in his Old Louisiana tells of having known an old gentleman who remembered the awful holocaust. Then a little boy, this old gentleman was awaiting the return of his mother and father from New Orleans. He saw the Princess come around the bend and then turn in toward the bank. As he watched he he...
Raymond Martinez
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Notorious Woman
The legal crusade of Myra Clark Gaines (1804?--1885) has all the trappings of classic melodrama -- a lost heir, a missing will, an illicit relationship, a questionable marriage, a bigamous husband, and a murder. For a half century the daughter of New Orleans millionaire Daniel Clark struggled to justify her claim to his enormous fortune in a case that captivated the nineteenth-century public. Elizabeth Urban Alexander taps voluminous court records and letters to unravel the twists and turns of Gaines's litigation and reveal the truth behind the mysterious saga of this notorious woman. Myra, the daughter of real estate heir Clark and Zulime Carrière, a beautiful young Frenchwoman, was raised...
