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Mediating the Uprising
Based on intensive fieldwork in Damascus and Beirut, Mediating the Uprising shows how gender and marriage metaphors inform Syrian television drama with various forms of cultural and political critique. The emergence of these suppressed narratives attests to the survival of the genre despite instability, war, and bloodshed.
The Politics of Love
Dramatic miniseries are the primary arena for the expression of postcolonial Syrian culture and artistic talent, an arena that unites diverse aspects of artisanship in a struggle over visions of the past, present, and future of the nation. As the tour de force of the television medium, blossoming amidst persisting authoritarianism, these miniseries serve as a crucial and complex artistic avenue through which political and social opposition manifests. Scholars have tried to come to terms with a highly critical culture produced within attempted state co-optation, and argue that politically critical culture operates as a “safety valve” to release frustrations so that dissenters are less lik...
Learning to Love
Learning to Love moves beyond the media and policy stereotypes that conflate arranged marriages with forced marriages. Using in-depth interviews and participant observations, this book assembles a rich and diverse array of everyday marriage narratives and trajectories and highlights how considerations of romantic love are woven into traditional arranged marriage practices. It shows that far from being a homogeneous tradition, arranged marriages involve a variety of different matchmaking practices where each family tailors its own cut-and-paste version of British-Indian arranged marriages to suit modern identities and ambitions. Pande argues that instead of being wedded to traditions, people in the British-Indian diaspora have skillfully adapted and negotiated arranged marriage cultural norms to carve out an identity narrative that portrays them as "modern and progressive migrants"–ones who are changing with the times and cultivating transnational forms of belonging.
Afsaneh, A Novel from Iran
The truth always loses itself among memories. The truth can be lost as though it never existed. Not on the ground or anywhere else. The difference between a historical event and an insignificant happening in the life of an individual is that the historical event has witnesses who can differentiate the truth from the fiction. One evening, thirty year old Afsaneh Sarboland, dressed only in a thin orange dress, flees her husband and home and attempts to create a new life. In the story, Afsaneh, a single writer, struggles to carve a space for herself in the chaotic society that has been ravaged by the scars of war. Childhood tragedies, the devastations of war, and an abusive husband have combine...
Revolutions Aesthetic
The November 1970 coup that brought Hafiz al-Asad to power fundamentally transformed cultural production in Syria. A comprehensive intellectual, ideological, and political project—a Ba'thist cultural revolution—sought to align artistic endeavors with the ideological interests of the regime. The ensuing agonistic struggle pitted official aesthetics of power against alternative modes of creative expression that could evade or ignore the effects of the state. With this book, Max Weiss offers the first cultural and intellectual history of Ba'thist Syria, from the coming to power of Hafiz al-Asad, through the transitional period under Bashar al-Asad, and continuing up through the Syria War. R...
Middle Eastern Television Drama
This monograph explores and investigates key issues facing Middle Eastern societies, including religion and sectarianism, history and collective memory, urban space and socioeconomic difference, policing and securitization, and gender relations. In the Middle East, television drama creators serve as public intellectuals who, with uncanny prescience, tell the world something. As this volume demonstrates, fictional television provides a crucial space for social and political debate in much of the region. Writing from a range disciplines—anthropology, communication, folklore, gender studies, history, and law— contributors include seasoned academics who have dedicated their careers to researching Middle Eastern media and emerging scholars who build on earlier work and introduce fresh perspectives. Together, they provide an invaluable overview of Middle Eastern serial television and their political impact, drawing examples from Afghanistan, Egypt, Iran, Syria, and Turkey. Bringing together a diverse range of academic perspectives, this book will be of key interest to students and scholars in media and communication studies, Middle Eastern Studies, and popular culture studies.
Accelerated Persian
Accelerated Persian aims to make the language of Iran, Afghanistan and Tajikistan accessible to everyone wishing to communicate through the language and culture of the Persian speaking world. It is a comprehensive textbook featuring numerous exercises and speaking drills complemented by clear and concise explanations of Persian grammar. Detailed verb conjugation charts and thematic glossaries allow for easy language learning. Various aspects of Persian culture and history are introduced through idioms, proverbs, and cultural and historical references. Because Persian shares its alphabet with Arabic, exercises are included for those who already read Arabic. Reference tools include verb conjug...
Making the Right Choice
Making the Right Choice unravels the entangled relationship between marriage, morality, and the desire for modernity as it plays out in the context of middle-class status concerns and aspirations for upward social mobility within the Sinhala-Buddhist community in urban Sri Lanka. By focusing on individual life-histories spanning three generations, the book illuminates how narratives about a gendered self and narratives about modernity are mutually constituted and intrinsically tied to notions of agency. The book uncovers how "becoming modern" in urban Sri Lanka, rather than causing inter-generational conflict, is a collective aspiration realized through the efforts of bringing up educated and independent women capable of making "right" choices. The consequence of this collective investment is a feminist conundrum: agency does not denote the right to choose, but the duty to make the "right" choice; hence agency is experienced not as a sense of "freedom," but rather as a burden of responsibility.
Marriage, Gender and Refugee Migration
Winner of the 2022 BSA Philip Abrams Memorial Prize This ethical and poetic ethnography analyses the upheavals to gender roles and marital relationships brought about by Somali refugee migration to the UK. Unmoored from the socio-cultural norms that made them men and women, being a refugee is described as making "everything" feel "different, mixed up, upside down." Marriage, Gender and Refugee Migration details how Somali gendered identities are contested, negotiated, and (re)produced within a framework of religious and politico-national discourses, finding that the most significant catalysts for challenging and changing harmful gender practices are a combination of the welfare system and Islamic praxis. Described as “an important and urgent monograph," this book will be a key text relevant to scholars of migration, transnational families, personal life, and gender. Written in a beautiful and accessible style, the book voices the participants with respect and compassion, and is also recommended for scholars of qualitative social research methods.
Peripheral Insider
With increased mobility and transnational interaction worldwide, internationalism in contemporary visual art is no longer exclusively a western issue. Contemporary visual art includes works by expatriate artists who have settled in the west, as well as artists outside the west reflecting on everyday events in a globalized world. Peripheral Insider examines the conditions of expatriate artists from various angles: the historical and colonial roots of the issue, positions among theorists dealing with expatriate artists in the west, the role of established art institutions, and examples of recent developments in the field. Peripheral Insider argues that expatriate art or internationalism in visual art is a phenomenon with a specific history, closely related to colonial and post-colonial experiences. The contributors elucidate the book's main theme on various theoretical levels and set forth their analyses of a number of issues relevant to new interpretations of "the post-colonial agenda."
