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The Day I Sat On the Sun Deck is a funny, philosophical, sexy, sad and searching story that explores faith, the nature of belief, with the lightness of a meringue.
Andrea Talbot travels back in time and finds herself up in a dangerous underground adventure in the infamous tunnels under Moose Jaw.
A debut short story collection from one of Canada's most exciting new Aboriginal voices. "In our family, it was Trish who was Going To Be Trouble; I was Such a Good Girl." At times haunting, at times hilarious, Just Pretending explores the moments in life that send us down pathways predetermined and not-yet-forged. These are the liminal, defining moments that mark irreversible transitions n girl to mother, confinement to freedom, wife to murderer. They are the melodramatic car-crash moments n the outcomes both horrific and too fascinating to tear our eyes from. And they are the unnoticed, infinitely tiny moments, seemingly insignificant (even ridiculous) yet holding the power to alter, to transform, to make strange. What links these stories is a sense of characters working n both with success and without, through action or reaction n to separate reality from perception and to make these moments into their lives' new truths.
It’s Halloween, and Josh and Maddy are all ready to go out trick-or-treating. But the arrival of their otter-people friends with an urgent message from Keeper the Giant changes everything.
In old age, Mac Chorniak is burdened by the memory of a racist crime in his past. Through acts of penance both official and personal, Mac struggles to find redemption. As teenagers, in a drunken incident Mac Chorniak and his friends were responsible for the death of a young Indigenous man. Thanks to the prevailing prejudices of the 1950s, the boys received no punishment. Now the friends have grown old, and while most have settled into the routines, habits and politics of Duncan, their rural prairie town, Mac continues to live under the weight of guilt and regret. When Roseanna Desjarlais and her daughter Angela move to Duncan, and her son Glen works to reclaim land rights, old problems resurface and new intolerances are displayed among the town's establishment. And Duncan is unaware that Roseanna is the sister of the murdered youth, intending to exact revenge and make Mac pay.
Set largely among the Jewish community of inter-war New York City, this is a beautifully-told collection of scenes from Morgenstern’s life. The tricky ground of writing the advice column for a provincial Yiddish daily; successes during, and hard times after, the Depression; a position at the top of his craft as a labour specialist in the New York City Yiddish press – these and many more form a portrait of “a fundamentally decent man in morally perplexing situations”. “I’ve been working on a series of stories about the character I call “my father” – loosely based on my own father – for about 30 years...I wondered if I could use the character in other situations. [One] story had begun with a spark of truth – a story my father had told many times about a foolish man he’d once known – and the spirit of my father. “All the stories in the series walk that precarious tightrope between memoir and fiction...“I worked hard, with the stories’ structure and a sort of old-fashioned expository style, to make them feel like memoir – like truth.”
Wide Open begins with the start of a promising relationship. As D. M. Ditson falls in love, she is forced to confront her past: a fundamentalist Christian upbringing, family secrets, and a series of men who sexually assaulted her when she was between the ages of eighteen and twenty five. One of the assaults was so devastating that it left her showering in her sleep, trying in vain to wash the darkness away. D. M. Ditson’s story is a raw and emotional account of how she became so vulnerable to assault, of the depths to which she fell, and of her excruciating recovery from post-traumatic stress disorder.
From the earliest settler policies to deal with the “Indian problem,” to contemporary government-run programs ostensibly designed to help Indigenous people, public policy has played a major role in creating the historical trauma that so greatly impacts the lives of Canada’s Aboriginal peoples. Taking Back Our Spirits traces the link between Canadian public policies, the injuries they have inflicted on Indigenous people, and Indigenous literature’s ability to heal individuals and communities. Episkenew examines contemporary autobiography, fiction, and drama to reveal how these texts respond to and critique public policy, and how literature functions as “medicine” to help cure the colonial contagion.
Native Poetry in Canada: A Contemporary Anthology is the only collection of its kind. It brings together the poetry of many authors whose work has not previously been published in book form alongside that of critically-acclaimed poets, thus offering a record of Native cultural revival as it emerged through poetry from the 1960s to the present. The poets included here adapt English oratory and, above all, a sense of play. Native Poetry in Canada suggests both a history of struggle to be heard and the wealth of Native cultures in Canada today.
This valuable resource features the colourful biographies of 72 illustrators and artists whose works are considered among the best in the world. Told in the artists' own words, these biographies offer fascinating insights into their lives, and feature a sample illustration from one of their favourite books. Discover how these fantastic artists work, what their favourite books are, who influenced them, and how they came to illustrate children's books.