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The Ambivalences of Medieval Religious Drama
What is medieval religious drama, and what function does it serve in negotiating between the domains of theology and popular life? This book aims to answer these questions by studying three sets of these dramas from Germany, France, England, and Spain: 10th-century Easter plays, 12th-century Adam plays, and 15th- and 16th-century Passion plays.
The Religious Drama
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The English Religious Drama
Excerpt from The English Religious Drama The history of the European theatre, not only west of the Channel, but upon the Continent as well, bears resemblance to the history of the little English robin, who, as his strength waxes and his breast brightens and his song grows tuneful, turns his ungrateful bill against the parents who have reared him, so that the misty autumn mornings ring with melodious defiances and cries of combat between the young birds and the old. In like manner the romantic drama, born of the Church and nourished by the Church, came in time, as it acquired an independent life and gradually passed from sacred to secular uses, to incur the resentful hostility of the parent b...
English religious drama
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