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A Road Is Made
This is a study of the activities, ideas and internal life of the Chinese Communist Party in Shanghai during its formative period. It investigates the party's relations to the city's students and teachers, women, entrepreneurs, secret societies and its workers, and examines the efforts to transform the CCP into a 'Leninist' party, exploring relations between intellectuals and workers, men and women, Chinese and Russians within the party. The book culminates in a detailed analysis of the three armed uprisings which led to the CCP's briefly taking power in March 1927, before being crushed by troops loyal to Chiang Kai-shek. The study highlights the extent to which the Soviet Union sought to manipulate China's national revolution, yet also reveals how divisions at every level of the Comintern allowed the CCP to achieve a degree of independence and to conduct policy at considerable variance with that laid down by Moscow.
Luke Him Sau, Architect
Luke Him Sau/Lu Qianshou (1904–1991) is best known internationally and in China as the architect of the iconic Bank of China Headquarters in Shanghai. One of the first Chinese students to be trained at the Architectural Association in London in the late 1920s, Luke’s long, prolific and highly successful career in China and Hong Kong offers unique insights into an extraordinary period of Chinese political turbulence that scuppered the professional prospects and historical recognition of so many of his colleagues. Global interest in China has risen exponentially in recent times, creating an appetite for the country’s history and culture. This book satiates this by providing a highly enga...
Building Shanghai
Shanghai's illustrious history and phenomenal future is celebrated in this book, which examines the evolution of the city's architecture and urban form in order to contextualise the challenges facing the city today. The physical legacies that reflect Shanghai's uniqueness historically and contemporarily are examined chronologically using specific case studies of exemplary architecture interwoven in a compelling narrative that unlocks the many mysteries surrounding this amazing metropolis. Some of the most influential colonial architecture in the world, outstanding examples of Modernism and Art Deco, and an exceptional selection of eclectic and vernacular architecture reflecting Shanghai's many adopted cultures are revealed. This is the first book ever to examine this remarkable subject in a manner that is both comprehensive and captivating in its written content and stunningly illustrated with over 300 archive and contemporary photographs and maps.
The Aesthetics of Qiyun and Genius
In The Aesthetics of Qiyun and Genius: Spirit Consonance in Chinese Landscape Painting and Some Kantian Echoes, Xiaoyan Hu provides an interpretation of the notion of qiyun, or spirit consonance, in Chinese painting, and considers why creating a painting—especially a landscape painting—replete with qiyun is regarded as an art of genius, where genius is an innate mental talent. Through a comparison of the role of this innate mental disposition in the aesthetics of qiyun and Kant’s account of artistic genius, the book addresses an important feature of the Chinese aesthetic tradition, one that evades the aesthetic universality assumed by a Kantian lens. Drawing on the views of influential...
Tao II
Millions of people are searching for secrets,wisdom, knowledge, and practical techniques to heal, rejuvenate, prolong life, and move toward immortality. The way to accomplish all of these is to reach and meld with Tao. This book, the successor to Tao I: The Way of All Life, reveals the highest secrets and most powerful practical techniques for the Tao journey, which includes one’s physical healing and rejuvenation journey and one’s entire spiritual journey. Its essence can be summarized in one sentence: Jin Dan Da Tao Xiu Lian is the way to heal, rejuvenate, prolong life, and move in the direction of immortality. Shou Yi Yan Jin Ye is the most important daily practice for reaching Tao. â...
The Magic Cube of Ancient Chinese Poetry
This book focuses on the linguistic perspective of classical Chinese poetry and its changes and development in diff erent historical periods. It off ers a combination of theoretical analysis and aesthetic appreciation of exemplary poems. The author discusses the following aspects of classical Chinese poetry: the relationships between background and meaning in the interpretation of a poem; how readers can deal with the tangle of linguistic approach and intuitive perception in interpreting poems; the engagement and disengagement of the poet’s thought fl ow with and from the word order of the verse; the tonal and metrical schemes; and the three special features of classical Chinese poetry: th...
Universal and Particular—Ideological Developments in the Contemporary Chinese Confucian Revival Movement (2000–2020)
Wei Shi’s well-crafted study weaves together historical context, ideological complexities, and insightful case studies on Confucian metaphysics, ethics, and politics. Engagingly written, it seamlessly bridges the gap between universal and nationalist (particular) perspectives, offering a rich tapestry of ideas and satisfying unity. Shi describes the profound impact of Confucian revival on China's cultural identity. She argues that Confucian ideas continue to shape China's trajectory in an ever-changing world. Specialists, graduate students, and enthusiasts will find this work an invaluable resource in understanding the multifaceted landscape of China’s Confucian revival in the twenty-first century.
Ancient and Early Medieval Chinese Literature (vol. 2)
At last here is the long-awaited, first Western-language reference guide focusing exclusively on Chinese literature from ca. 700 B.C.E. to the early seventh century C.E. Alphabetically organized, it contains no less than 1095 entries on major and minor writers, literary forms and "schools," and important Chinese literary terms. In addition to providing authoritative information about each subject, the compilers have taken meticulous care to include detailed, up-to-date bibliographies and source information. The reader will find it a treasure-trove of historical accounts, especially when browsing through the biographies of authors. Indispensable for scholars and students of pre-modern Chinese literature, history, and thought. Part Two contains S to Xi.
The Monster That Is History
In ancient China a monster called Taowu was known for both its vicious nature and its power to see the past and the future. Since the seventeenth century, fictive accounts of history have accommodated themselves to the monstrous nature of Taowu. Moving effortlessly across the entire twentieth-century literary landscape, David Der-wei Wang delineates the many meanings of Chinese violence and its literary manifestations.
Language, Literature, and the Dynamics of Conflict
Informed by a global space animated by various conflicts, this book brings a refreshing perspective on how the disciplines of literature and language engage this phenomenon. In its shift from a purely political interrogation of conflict, the volume provides a broad analytic canvas on which human behaviour in such contexts can be examined. This is an ultimate invitation to a re-visioning of socio-cultural parameters of identity construction, borders, natural resources, religion, cultural values, beliefs, governance, ideology, and globalisation. The book’s varied perspective, animated by a rich diversity of literary and linguistic approaches, gives it an interdisciplinary emphasis that will appeal to readers across disciplines. Its ultimate message is that conflict is not subject-bound. The liberal analysis of different aspects makes the volume an invaluable asset not only to literature and language scholars but also to everyone with inclinations towards conflict creation and management.
